Leïla Slimani Boeken

Watch us Dance combines the youth, vibrancy and allure of Andre Aciman with the historical fiction force of Maggie Shipstead, and the exquisite sense of place and time of The Lost Daughter.

Leïla Slimani gives voice to Moroccan women who are grappling with a conservative Arab culture that at once condemns and commodifies sex. Sex and Lies is an essential encounter with Morocco's sexual hypocrisy and a vibrant appeal for the universal freedom to be, to love and to desire.

From the internationally bestselling author of Lullaby and Adèle comes a stunning work of non-fiction on art, life and the craft of writing

As she stands at the window, the spring sunshine streaming in, Mathilde reflects on the opportunities before her: it's April 1968 and Morocco is changing. Looking out at her garden, the roses - brought in from Marrakech - have bloomed and their sweet, fresh scent pervades the garden.

Bringing together 28 acclaimed women writers, artists, scientists, and entrepreneurs from across Europe, this powerful and timely anthology looks at an ever-changing Europe from a variety of perspectives and offers hope and insight into how we might begin to rebuild.

Where she she once danced, bickered with her sister, her life is now that of a farmer's wife - with all the sacrifices and vexations that brings. Suffocated by the heat, by her loneliness on the farm, by the mistrust she inspires as a foreigner and by the lack of money Mathilde grows restless.

*Soon to be an HBO series starring Nicole Kidman and Maya Erskine* She has the keys to their apartment. She knows everything. She has embedded herself so deeply in their lives that it now seems impossible to remove her. One of the 10 BEST BOOKS OF THE YEAR of The New York Times Book Review, by the author of Adèle, Sex and Lies, In the Country of Others, and Watch Us Dance “A great novel . . . Incredibly engaging and disturbing . . . Slimani has us in her thrall.” —Roxane Gay, New York Times bestselling author of Bad Feminist and Hunger “One of the most important books of the year. You can’t unread it.” —Barrie Hardymon, NPR’s Weekend Edition When Myriam decides to return to work as a lawyer after having children, she and her husband look for the perfect nanny for their son and daughter. They never dreamed they would find Louise: a quiet, polite, devoted woman who sings to the children, cleans the family’s chic Paris apartment, stays late without complaint, and hosts enviable kiddie parties. But as the couple and the nanny become more dependent on one another, jealousy, resentment, and suspicions mount, shattering the idyllic tableau. Building tension with every page, The Perfect Nanny is a compulsive, riveting, bravely observed exploration of power, class, race, domesticity, motherhood, and madness—and the American debut of an immensely talented writer.

From the bestselling author of Lullaby'Riveting.' Evening Standard'Explosive.' Mail on Sunday'Thrilling.' Sunday Times'A must-read.' VogueHer obsessions devour her.

Auf einer Lesereise in Marokko trifft Leïla Slimani auf Nour, eine junge Leserin, die ohne Tabus über ihre Sexualität und die intimen Tragödien vieler Frauen aus ihrem Bekanntenkreis erzählt. Ausgehend von dieser bewegenden Begegnung beschließt Slimani, sich eingehender mit diesem Thema zu befassen. Sie trifft sich mit einer Reihe verschiedener Frauen und entdeckt durch deren persönliche Geschichten das Drama einer patriarchalen Gesellschaft, die das Verlangen nach Freiheit und Gleichberechtigung unterdrückt. Diese Graphic Novel schildert eindrücklich die komplexe Realität eines Landes, in dem der Islam die Staatsreligion ist, und dokumentiert den Kampf der Frauen für ihre Rechte.

Mladá Alsasanka Mathilde sa v roku 1944 zamiluje do Maročana Amina Belhaja, ktorý bojuje vo francúzskej armáde. Po vojne za ním odíde do Maroka. Manželia sa usadia v Meknese, kde sa striktne dodržiavajú pravidlá koloniálnej segregácie. Amin sa pustí do práce na statku a kamenistých poliach a s Mathilde sa im narodia dve deti: Aicha a Selim. Rodina to nemá ľahké, Mathilde dusí atmosféra v Maroku, osamelosť na statku a nedôvera, ktorú vzbudzuje svojím cudzím pôvodom a nedostatkom peňazí. Vzťahy medzi kolonizátormi a marockým obyvateľstvom sú napäté a Amin je v nepríjemnej situácii: zobral si Francúzku, vlastní pozemky a zamestnáva Maročanov, takže miestni ho považujú za kolonizátora, no Francúzi ho ponižujú, pretože nie je jedným z nich. Aicha vyrastá v atmosfére násilia v katolíckej škole, ktorú navštevuje spolu s dievčatami z bohatých francúzskych rodín. Prvá časť románovej trilógie sa končí opäť násilím, ktoré je predzvesťou boja za nezávislosť v roku 1956.