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Francis Mason

    Burma, its People and Productions; or, Notes on the Fauna, Flora, and Minerals of Tenasserim, Pegu, and Burma: 1; Volume 1
    The Story of a Working Man's Life: With Sketches of Travel in Europe, Asia, Africa, and America, As Related by Himself
    Kachchayano's Pali Grammar
    The Karen Apostle
    Burmah, Its People and Natural Productions: Or, Notes On the Nations, Fauna, Flora, and Minerals of Tenasserim, Pegu, and Burmah, With Systematic Cata
    A Pali Grammar On The Basis Of Kachchayano With Chrestomathy & Vocabulary
    • Kachchayano's Pali Grammar

      • 236bladzijden
      • 9 uur lezen

      First published in 1864, this renowned Pali grammar book is based on the ancient Kaccāyana text, which is recognized as one of the most authoritative sources on Pali grammar. The book covers all aspects of Pali grammar in a clear and concise manner, with numerous examples and exercises to aid comprehension. Whether you're a student of Buddhism or a linguist interested in ancient languages, this book is an essential resource.

      Kachchayano's Pali Grammar
    • Festival of Ballet

      • 838bladzijden
      • 30 uur lezen

      This book attempts to tell the stories of ballets of lasting importance in the history of the art and to provide a record of significant new work performed in the past twenty-five years - ballets that are still part of the contemporary repertory or ballets that made an enduring impression at the time. Ballets of lasting importance - and by that we mean ambition fulfilled - ballets like La Sylphide, Giselle, and Swan Lake, have held the stage for more than a hundred years; La Fille Mal Gardée for almost two hundred. The new ballets that we see nowadays with increasingly frequency all aspire to the same longevity. While few succeed, many remain in the active repertory longer than is imagined. A great number, like Petrouhka, come and go; others disappear entirely. (That has happened, naturally, to some of my own ballets; there is no point in insisting on keeping what doesn't work; there is also no point in reviving what cannot be properly recalled.) The new pieces of the modern repertory, and now fortunately there are many of them every year produced by the growing number of ballet companies, are all candidates for lasting value and inclusion in the quasi-permanent repertory. Hopefully, many described in this book will last.

      Festival of Ballet