Willa Muir was een Schotse romanschrijver, essayist en vertaler die feministische thema's verkende en belangrijke Duitse werken vertaalde. Haar essays bieden een diepgaand onderzoek naar de positie van vrouwen, gekenmerkt door intellectuele scherpte en inzicht. Naast haar eigen werk brachten Muir's vertalingen, waaronder die van Franz Kafka, belangrijke Europese literatuur onder de aandacht van nieuwe lezers. Haar nalatenschap ligt in deze krachtige combinatie van feministisch denken en toegewijde literaire vertaling.
The Usurpers, was based on the diaries Willa Muir kept in Prague in the period 1945-1948, when her husband was the Director the British Institute there. Under the guise of Utopians in Slavomania, it offers acute, humorous and sometimes acerbic observations on relations among the British and between them and their Czech allies and opponents.
This volume is a celebration of the life and work of Willa Muir.
From the expressionism of his early prose pieces to his very last work, JOSEPHINE, these stories cover the full range of Kafka's writing career, culminating in THE METAMORPHOSIS, which Elias Canetti described as "one of the few great and perfect works of poetic imagination written during this century." Kafka's stories, argues Borges in his foreword, are superior even to his novels, which is why this collection "gives us the full dimesion of this unique writer.' J.A Underwood's acclaimed translation gives the reader all the chilling atmosphere of Kafka's darkly comic universe, as reflected in the commanding precision of his language.
Een jongeman staat terecht zonder dat hem duidelijk wordt op welke beschuldiging.
The Castle is the story of K., the unwanted Land Surveyor who is never to be admitted to the Castle nor accepted in the village, and yet cannot go home. As he encounters dualities of certainty and doubt, hope and fear, and reason and nonsense, K.'s struggles in the absurd, labyrinthine world where he finds himself seem to reveal an inexplicable truth about the nature of existence. Kafka began The Castle in 1922 and it was never finished, yet this, the last of his three great novels, draws fascinating conclusions that make it feel strangely complete.
Franz Kafka's enigmatic, deadpan, and deeply pessimistic stories are central to literary modernism. In 'The Metamorphosis', the estrangement of everyday life becomes corporealized when Gregor Samsa wakes up as a giant bug and wonders how he is going to get to work on time. Kafka inverts the implied degradation of a man's transformation into an animal in 'A Report of the Academy', an ape's address to a group of scientists.