After leaving the convent where she spent thirty years, Nora Breen embarks on a new chapter in the seaside town of Gore-on-Sea. As she prepares for a dinner featuring braised liver and a gathering of unfamiliar faces, Nora navigates the challenges of reintegrating into the world outside the convent. Her journey explores themes of identity, community, and the search for belonging in a place that is both new and daunting.
Jess Kidd Boeken
Jess Kidd wordt geprezen om haar onderscheidende fictieve stem, gevormd door haar opvoeding in Londen binnen een groot gezin uit County Mayo. Haar werk wordt vaak omschreven als een boeiende mix, die vergelijkingen oproept met 'Gabriel García Márquez ontmoet The Pogues', wat suggereert een unieke fusie van magisch realisme en levendige vertelkunst. Kidd verkent onconventionele personages en verhalen met een stijl die zowel grillig als diepzinnig is, vaak getint met mysterie en zwarte humor. Ze verweeft meesterlijk traditie en moderniteit en creëert onvergetelijke literaire ervaringen voor haar lezers.







The Hoarder
- 352bladzijden
- 13 uur lezen
This dark but comical tale of haunting and hoarding ensnares . . . [Kidd's] imagination is vivid . . . Brilliant The Times
The Night Ship
- 384bladzijden
- 14 uur lezen
1628. Embarking on a journey in search of her father, a young girl called Mayken boards the Batavia, the most impressive sea vessel of the age. During the long voyage, this curious and resourceful child must find her place in the ship's busy world, and she soon uncovers shadowy secrets above and below deck. As tensions spiral, the fate of the ship and all on board becomes increasingly uncertain. 1989. Gil, a boy mourning the death of his mother, is placed in the care of his irritable and reclusive grandfather. Their home is a shack on a tiny fishing island off the Australian coast, notable only for its reefs and wrecked boats. This is no place for a child struggling with a dark past and Gil's actions soon get him noticed by the wrong people.
Himself
- 368bladzijden
- 13 uur lezen
Kidd's brilliantly bold debut mixes up murder and mayhem with the eerily supernatural. It's a tender, violent and funny story told in prose that is lyrical, lush and hugely imaginative. Utterly unputdownable Sunday Express
Things in Jars
- 416bladzijden
- 15 uur lezen
'Thrilling, mysterious, twisted' Graham Norton'Delivers chills galore' GuardianThe case of the extraordinary child . . .London, 1863. A strange puzzle has reached Bridie Devine, the finest female detective of her age. To recover a stolen child, Bridie must enter the dark world of medical curiosities. The public love a spectacle and this child may well prove the most remarkable spectacle London has ever seen.Things in Jars is a Victorian novel unlike any other, one that explores what it is to be human in inhumane times.
The Winter Spirits: Ghostly Tales for Frosty Nights
- 464bladzijden
- 17 uur lezen
FROM THE CREATORS OF THE HAUNTING SEASON COMES A DAZZLING COLLECTION OF NEVER-BEFORE-SEEN GHOSTLY TALES. 'Terrific - every bit as good as an MR James collection' - ROSIE ANDREWS. This anthology features original stories from acclaimed authors including Bridget Collins, Imogen Hermes Gowar, Kiran Millwood Hargrave, Andrew Michael Hurley, Jess Kidd, Natasha Pulley, Elizabeth Macneal, Laura Purcell, Susan Stokes Chapman, Laura Shepherd-Robinson, Stuart Turton, and Catriona Ward. The tradition of haunted tales at Christmas has thrived for centuries, and these twelve stories, penned by some of today's most beloved writers of historical and gothic fiction, center around Christmas or Advent. They boldly and playfully re-imagine this cherished tradition for a contemporary audience. Journey from a haunted Tuscan villa to a remote Scottish island steeped in dark secrets; these vibrant tales are the perfect companion for chilly nights. So curl up, light a candle, and let the enchantment of winter's past envelop you. 'I absolutely devoured The Winter Spirits. Every story is a gem' - LAURA SHEPPERSON. 'Another dazzling collection. Chilling, moving, and incredibly satisfying' - AMANDA MASON. 'Eerily macabre, hauntingly propulsive' - JOANNE BURN.