John McGahern Volgorde van de boeken

The collected letters of John McGahern, 'one of the greatest writers of our era' (Hilary Mantel) and 'the most important Irish novelist since Samuel Beckett.' (Guardian)

Het levensverhaal van de Romeinse keizer Augustus.

John McGahern is widely considered to be one of Ireland's greatest writers, with fans including John Updike, Hilary Mantel, Colm Tóibín and John Banville. Often hailed as his greatest work, Amongst Women is a poignant novel of family and togetherness.Once an officer in the Irish War for Independence, Moran is now a widower, eking out a living on a small farm where he raises his two sons and three daughters. Adrift from the structure and security of the military, he keeps control by binding his family close to him. But as his children grow older and seek independence, and as the passing years bring with them bewildering change, Moran struggles to find a balance between love and tyranny. 'A masterpiece . . . It is the sort of book which you can give anyone of any age and know that they will be changed by it.' Colm Tóibín

Výbor Zlaté hodinky a jiné povídky představuje to nejlepší z povídkářské tvorby Johna McGaherna (1934–2006), který je již dnes považován za jednoho z klasiků jak irské, tak světové literatury. V mistrných prózách – z nichž česky vyšel hlavně román Mezi ženami (2003) – autor mapuje život v Irsku ve druhé polovině dvacátého století s neúprosnou, až prorockou bystrozrakostí a působivostí, nezřídka říznutou ironií a černým humorem. Jeho povídky se vyznačují obrazivým stylem, který umožňuje vidět svět nově a celistvě. Toto vidění vyrůstá z blízkosti přírodě, vnímavosti k přírodním dějům i duševním hnutím blízkých, z náboženského cítění odpadlíka od katolické církve a z osobní, často intimní zkušenosti člověka toužícího po lásce a pospolitosti, který se však zdráhá zavírat oči před lidskou špatností a mlčky se podvolovat umrtvující společenské konvenci.

William Stoner wordt aan het einde van de negentiende eeuw geboren als zoon van een arme boerenfamilie. Tot groot verdriet van zijn ouders kiest hij voor een carrière als docent Engels. Hij wijdt zijn leven aan de literatuur en aan de liefde - en faalt op beide fronten. Zijn huwelijk met een vrouw uit een gegoede familie vervreemdt hem verder van zijn ouders, zijn carrière verloopt moeizaam en zijn vrouw en dochter keren zich tegen hem. Een nieuwe liefdesrelatie wordt verbroken om een schandaal op de universiteit te voorkomen. Stoner sterft uiteindelijk in anonimiteit, zoals ook zijn hele leven zich in de marge heeft afgespeeld. --back cover

This is the story of John McGahern's childhood; of his mother's death, his father's anger and bafflement, and his own discovery of literature and his ambition to become a writer. Memoir includes McGahern's memories of Dublin in the 1960s, his time as a schoolteacher, and his sacking for writing a banned book (his second novel, The Dark). It ends with his return to live in Leitrim with his wife and the death of his father, difficult to the last.

Considered by many to be the finest Irish writer now working in prose, John McGahern's That They May Face the Rising Sun vividly brings to life a whole world and its people with insight and humour and deep sympathy. Joe and Kate Ruttledge have come to Ireland from London in search of a different life. In passages of beauty and truth, the drama of a year in their lives and those of the memorable characters that move about them unfolds through the action, the rituals of work, religious observances and play. By the novel's close we feel that we have been introduced, with deceptive simplicity, to a complete representation of existence - an enclosed world has been transformed into an Everywhere. 'It is a simple and ordinary story, calmly, wryly crafted with subtle detail - and therein lies McGahern's genius. As sharply, brilliantly observed as any he has written . . . McGahern, a supreme chronicler of the ordinary . . . has created a novel that lives and breathes as convincingly as the characters who inhabit it.' Irish Times

The Dark , widely acclaimed, yet infamously banned, is John McGahern’s sensitive, perceptive, and beautifully written portrayal of a young man’s coming-of-age in rural Ireland. Imaginative and introverted, the boy is successful in school, but bitterly confused by the guilt-inducing questions he endures from the priests who should be his venerated guides. His relationship with his bullying, bigoted, widowed father is similarly conflicted — touched with both deep love and carefully suppressed hatred. When he must leave home to further his education, their relationship is drawn to an emotional climax that teaches both father and son some of the most intricate truths about manhood.