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Flannery O. Connor

    Flannery O’Connor was een uitgesproken Amerikaanse auteur, gevierd om haar unieke perspectief op het leven in het Zuiden van de VS en haar diepgewortelde katholieke overtuigingen. Haar werken worden gekenmerkt door scherpe humor, verontrustende beelden en verkenningen van genade en verlossing te midden van omgevingen vol geweld en het groteske. O’Connor creëerde meesterlijk personages die worstelen met geloof, zonde en het goddelijke, vaak op onverwachte en dramatische momenten. Haar schrijven blijft lezers boeien met zijn intensiteit en compromisloze eerlijkheid.

    Flannery O. Connor
    Conversations with Flannery O'Connor
    A Good Man is Hard to Find
    Complete Stories
    The Geranium and Other Writings
    Mystery and Manners
    The Habit of Being
    • The Habit of Being

      • 624bladzijden
      • 22 uur lezen

      Contains letters written by Flannery O'Connor.

      The Habit of Being
      4,5
    • Mystery and Manners

      • 237bladzijden
      • 9 uur lezen

      The essays and articles in this volume are concerned mainly with the art of fiction--its quality, in regional writing; its nature and its aims; and its relatino to the writer's religion.

      Mystery and Manners
      4,3
    • The Geranium and Other Writings

      • 580bladzijden
      • 21 uur lezen

      Featuring thirty-one stories, this collection includes twelve previously unpublished works by O'Connor that were not part of her two lifetime collections, "Everything That Rises Must Converge" and "A Good Man Is Hard to Find." The anthology showcases her distinctive voice and keen observations of human nature, offering readers a deeper understanding of her literary contributions and the themes she explored throughout her career.

      The Geranium and Other Writings
      4,0
    • Complete Stories

      • 576bladzijden
      • 21 uur lezen

      This is the complete collection of stories from one of the most original and powerful American writers of the 20th century. Including 'A Good Man is Hard to Find' and 'Everything That Rises Must Converge', this collection also contains several stories only available in this volume.

      Complete Stories
      4,3
    • The collection that established O'Connor's reputation as one of the American masters of the short story. The volume contains the celebrated title story, a tale of the murderous fugitive The Misfit, as well as The Displaced Person and eight other stories

      A Good Man is Hard to Find
      4,2
    • The World of the Short Story

      A 20th Century Collection

      • 847bladzijden
      • 30 uur lezen

      At age 82, Clifton Fadiman continues his prolific publishing career, here presenting 62 of the world's best short stories from 16 countries. His criteria? "Each story had to be both interesting and of high literary merit." Fadiman fulfills both requirements and much more, offering a cornucopia of superior 20th-century writers that includes Franz Kafka, D. H. Lawrence, Isaac Babel, F. Scott Fitzgerald, William Faulkner, Ernest Hemingway, John Cheever, Sean O'Faolain, Graham Greene, Robert Penn Warren, Colette, John Updike, Donald Barthelme, and James Thurber. (Regrettably, J. D. Salinger is not included due to lack of permission.) Here is a truly remarkable collection of this century's short stories that readers from all over the world will read with delight.

      The World of the Short Story
      3,8
    • Wise Blood

      • 176bladzijden
      • 7 uur lezen

      Wise Blood, Flannery O'Connor's first novel, is the story of Hazel Motes who, released from the armed services, returns to the evangelical Deep South.

      Wise Blood
      3,9
    • Flannery O’Connor was among the greatest American writers of the second half of the 20th century; she was a writer in the Southern tradition of Eudora Welty, William Faulkner, and Carson McCullers, who wrote such classic novels and short stories as Wise Blood, The Violent Bear It Away, and “A Good Man is Hard to Find.” She is perhaps as well known for her tantalizing brand of Southern Gothic humor as she is for her Catholicism. That these tendencies should be so happily married in her fiction is no longer a surprise. The real surprise is learning that this much beloved icon of American literature did not set out to be a fiction writer, but a cartoonist. This seems to be the last well-kept secret of her creative life.

      Flannery O'Connor
      3,7