Paul Keegan Boeken

"This anthology emphasizes the community of the poem rather than the isolation of the poet. The result is a more continuous view of English verse than has usually been attempted, from the fourteenth to the late twentieth century. Poems are seen as talking to each other, striking juxtapositions are made and a new chronology comes to light. Equally, it chronicles the evolution of English verse in linguistic and historical, rather than purely biographical, terms. Texts are reproduced with original spelling and punctuation, allowing the printed voice of the poetry to be seen and heard. Space is also given to 'the poetries traditionally excluded by Poetry': readers will find a higher proportion than usual of anonymous verse, and a selection of poems written on surfaces other than paper, such as inscriptions and epitaphs."--Jacket

It is filled with anecdotes, many of them quite amusing, and virtually bereft of technical terminology. And Freud put himself on the line: numerous acts of willful forgetting or "inexplicable" mistakes are recounted from his personal experience. none of such actions can be called truly accidental, or uncaused: that is the real lesson of the Psychopathology.