26a
- 334bladzijden
- 12 uur lezen
Als twee Londense tweelingzusjes met een Britse vader en een Nigeriaanse moeder in Nigeria gaan wonen, versterkt dat de verschillen tussen hen.
Diana Evans is een Britse auteur wiens werken de complexiteit van relaties en identiteit onderzoeken, waarbij ze vaak dynamische en ritmische proza-stijlen gebruikt die haar achtergrond als danseres weerspiegelen. Haar romans verkennen thema's als liefde, verlies, ras en de zoektocht naar ergens bij horen, met een indringend invoelingsvermogen gericht op het innerlijke leven van haar personages. Evans gebruikt rijke taal en onconventionele structuren om meeslepende en vaak emotioneel resonerende verhalen te creëren die lezers uitnodigen tot reflectie op de menselijke ervaring. Haar literaire benadering wordt gekenmerkt door een diepe betrokkenheid bij muziek en beweging, die zich vertalen in haar onderscheidende auteursstem.






Als twee Londense tweelingzusjes met een Britse vader en een Nigeriaanse moeder in Nigeria gaan wonen, versterkt dat de verschillen tussen hen.
Using Pork Barrel Projects to Build Majority Coalitions in Congress
The book explores the strategic use of pork barrel projects as a means for Congressional leaders and the President to secure votes for significant national legislation. Through interviews with key political figures, it provides an in-depth narrative of the legislative process, complemented by statistical analysis. This unique examination sheds light on the intricate relationship between localized funding and broader policy decisions, offering insights into the motivations and tactics behind vote-buying in Congress.
From the acclaimed author of 26a, comes a dazzling new novel about the fight to achieve one’s dream, and an unsolved disappearance at the heart of a family. As a child Lucas assumed that all children who’d lost their parents lived on water. Now a restless young man, and still sharing the West London narrowboat with his sister Denise, he secretly investigates the contents of an old wardrobe, in which he finds relics from the Midnight Ballet, an influential black dance company of the 1960s founded by his Jamaican father, the charismatic Antoney Matheus. In his search to unravel the legacy of the Midnight Ballet, Lucas hears of hot-house rehearsals in an abandoned Notting Hill church, of artistic battles and personal betrayals, and a whirlwind European tour. Most importantly, Lucas learns about his parents’ passionate and tumultuous relationship and of the events that led to his father’s final disappearance. Vividly conjuring the world of 1950s Kingston, Jamaica, the Blues parties and early carnivals of Ladbroke Grove, the flower stalls and vinyl riflers of modern-day Portobello Road, and the famous leap and fall of Russian dancer Vaslav Nijinsky, Diana Evans creates a haunting and visceral family mystery about absence and inheritance, the battle between love and creativity, and what drives a young man to take flight…
Thoughtful and intelligently observed... Evans's delicate prose weaves issues of racial identity and politics into the narrative so that they never feel heavy-handed...a deftly observed, elegiac portrayal of modern marriage, and the private - often painful - quest for identity and fulfilment in all its various guises Observer
*THE INTIMATE AND COMPELLING NEW NOVEL FROM THE PRIZEWINNING AUTHOR OF ORDINARY PEOPLE* 'A gorgeous novel from one of our most outstanding writers' BERNARDINE EVARISTO 'A wise, tender novel' MONICA ALI 'A lyrical and glorious writer' NAOMI ALDERMAN After fifty years in the wilderness of London, Alice wants to live out her days in the land of her birth. Her children are divided on whether she stays or goes, and in the wake of their father's death, the imagined stability of the family begins to fray. Meanwhile youngest daughter Melissa has never let go of a love she lost, and Michael in return, even within the sturdy walls of his marriage to the sparkling Nicole, is haunted by the failed perfection of the past. As Alice's final decision draws closer, all that is hidden between Melissa and her sisters, Michael and Nicole, rises to the surface . . . Set against the shadows of a city and a country in turmoil, Diana Evans's ordinary people confront fundamental questions. How should we raise our children? How to do right by our parents? And how, in the midst of everything, can we satisfy ourselves? 'Evans is always, always on the finest of forms' CANDICE CARTY-WILLIAMS 'A writer at the top of her game' LEONE ROSS 'I adored A House for Alice. Her writing is exquisite- every sentence a jewel' ELIZABETH DAY
The narrative unfolds through Diana Evans's journey as a culture editor at Pride magazine, where she interviews prominent artists while maintaining an observer's perspective. This collection features personal essays reflecting her experiences, including her love for literature and the influence of cultural events like George Floyd's death and the Grenfell tragedy. With insights into her family life, fashion, and yoga, Evans's work invites readers to engage in a dialogue about identity, art, and the complexities of contemporary life, showcasing her unique voice developed over twenty-five years.