Ariel Dorfman Boeken

Focusing on the voices of fifty human rights activists from over forty countries, the narrative weaves together powerful first-person testimonies. Notable figures include Nobel Laureates like the Dalai Lama and Desmond Tutu, alongside lesser-known advocates such as Kailash Satyarthi and Juliana Dogbadzi, whose personal struggles highlight the fight against child labor and sexual slavery. Through these diverse experiences, the book conveys a compelling message of freedom from persecution and the quest for equal opportunities, blending political advocacy with artistic expression.

This book presents a compelling argument urging Americans to deepen their understanding of the nation's role on the global stage. It explores themes of identity, responsibility, and interconnectedness, encouraging readers to reflect on their impact and engage more thoughtfully with international issues. Through insightful analysis, it aims to foster a more informed and empathetic perspective on America's position in a complex world.

Exploring themes of confinement and liberation, this short novel delves into the struggles of writers and creativity during the late 16th century. Against a backdrop of conflict between Islam and Christianity, it highlights the evolving roles of women and the harsh societal responses to dissent and crime. Through its meditation on the constraints of both mind and body, the narrative reveals the complexities of creativity in a tumultuous era.

The narrative revolves around Graham Blake, a successful corporate president grappling with the moral dilemma of downsizing his company. Seeking peace of mind, he turns to Dr. Carl Tolgate’s Corporate Life Therapy Institute, which offers a radical therapy for a hefty fee. As Blake undergoes this intense process, he finds himself entangled in a power struggle involving Tolgate and a mysterious woman, leading him to question who truly holds the reins over his company, life, and emotions.

Censored and condemned, this is a highly controversial Marxist critique of how our favourite cartoons are vehicles for capitalist ideology.

This powerful political drama and psychological thriller by the noted Chilean writer premiered in London last summer, where it won the Time Out Award for Best Play. In March it opened in the United States on Broadway, with direction by Mike Nichols and starring Glenn Close, Richard Dreyfuss, and Gene Hackman. The play focuses on a woman who finds herself in the position to exact revenge upon a man whom she believes to have been her torturer 15 years earlier. In telling this story, the author also addresses the dilemmas which touch all our lives: innocence and evil, truth and lies, forgiveness, and revenge. This is a worthwhile addition to modern drama collections. (Library Journal)

Set in Chile, the narrative explores the unique cultural and societal dynamics of the region through the eyes of its characters. The story delves into themes of identity and belonging, highlighting the distinct experiences that shape the lives of those living in this vibrant country. With a focus on local perspectives, it invites readers to understand the nuances of Chilean life, challenging preconceived notions and emphasizing the richness of its diversity.

The memoir explores the author's tumultuous life navigating between the U.S., South America, and his Jewish roots, reflecting on his experiences in both English and Spanish. It details his harrowing escapes during Pinochet's military coup in Chile in 1973, structured through eight vignettes from his life and eight scenes from the coup. This beautifully crafted autobiography captures the complexity of identity and belonging, presenting a profound quest for home, political purpose, and cultural understanding, showcasing Dorfman's unique perspective as a prominent Latin American writer.

"In this "murder mystery memoir," a Dutch billionaire and Holocaust survivor named Joseph Hortha hires writer "Ariel" to investigate Salvador Allende's mysterious death in the 1973 coup in Chile, in the hopes of discovering whether Allende committed suicide or was murdered. Dorfman takes us along a spectacular journey, from Washington, DC and New York City, to Santiago and Valparaíso, and finally to London. Along the way, we witness a midnight gravedigging scene, are tracked by stealthy stalkers, and interview sources of varying credibility to discover what transpired at La Moneda. Through this gripping investigation, Joseph and Ariel attempt to redeem themselves, as they are both plagued by guilt. While Joseph grapples with how he has made his fortune unwittingly destroying his beloved planet, Ariel is haunted by the fact that his absence at the coup led to the disappearance of his friend. What begins as a puzzling quest unwinds into a fabulous saga about our duties to the world, one another, and ourselves"-- Provided by publisher