Beschrijving van de psychische rijping van een scholier, die opgroeid in een bourgeois gezin (omschreven als ein Scheinwelt - wat kan vertaald worden als "wereld van licht", maar evenzeer als "wereld van illusie"). Het is het verhaal van zijn afdaling, onder invloed van zijn iets oudere schoolkameraad Demian, in een geheime en gevaarlijke wereld van kleine criminaliteit en opstand tegen de conventies en van zijn ontwaken tot zelfbewustzijn.
Persuasive and humane towards mankind, if neither towards womankind, this classic of philosophy represents one of the nineteenth century's most significant treatises on ethics. The Basis of Morality offers Schopenhauer's fullest examination of traditional ethical themes, and it articulates a descriptive form of ethics that contradicts the rationally based prescriptive theories. Starting with his polemic against Kant's ethics of duty, Schopenhauer anticipates the latter-day critics of moral philosophy. Arguing that compassion forms the basis of morality, he outlines a perspective on ethics in which passion and desire correspond to different moral characters, behaviors, and worldviews. In conclusion, Schopenhauer defines his metaphysics of morals, employing Kant's transcendental idealism to illustrate both the interconnectiveness of being and the affinity of his ethics to Eastern thought.
STEPPENWOLF is a poetical self-portrait of a man who felt himself to be half-human and half-wolf. This Faust-like and magical story is evidence of Hesse's searching philosophy and extraordinary sense of humanity as he tells of the humanization of a middle-aged misanthrope.Yet this novel can also be seen as a plea for rigorous self-examination and an indictment of the intellectual hypocrisy of the period. As Hesse himself remarked, 'Of all my books STEPPENWOLF is the one that was more often and more violently misunderstood than any other'.
Buddenbrooks, first published in Germany in 1901, when Mann was only twenty-six, has become a classic of modern literature. It is the story of four generations of a wealthy bourgeois family in northern Germany facing the advent of modernity; in an uncertain new world, the family’s bonds and traditions begin to disintegrate. As Mann charts the Buddenbrooks’ decline from prosperity to bankruptcy, from moral and psychic soundness to sickly piety, artistic decadence, and madness, he ushers the reader into a world of stunning vitality, pieced together from births and funerals, weddings and divorces, recipes, gossip, and earthy humor. In its immensity of scope, richness of detail, and fullness of humanity, buddenbrooks surpasses all other modern family chronicles. With remarkable fidelity to the original German text, this superb translation emphasizes the magnificent scale of Mann’s achievement in this riveting, tragic novel.
Het Kralenspel is een utopische roman over de strijd van de mens tegen de barbaarse machtswellust. Decor van deze toekomstroman is de denkbeeldige staat Kastalië, waarin het 'Kralenspel', een ongekend instrument, de totale inhoud en alle waarden van onze cultuur heeft verwerkt. Wat Hesse - diep geschokt door de Tweede Wereldoorlog - wilde, was de genezende krachten zichtbaar maken die uit de chaos weer tot orde kunnen leiden. Het Kralenspel wordt beschouwd als het magnum opus van de in 1946 met de Nobelprijs voor Literatuur bekroonde schrijver.
Hölderlins zwischen 1797 und 1800 entstandenes Dramen-Fragment (im Band alle drei Fassungen) behandelt die letzten Tage des griechischen Philosophen Empedokles (um 495 bis um 435 v. Chr.). Über dessen Tod ist nichts bekannt, doch meinten seine Anhänger, er sei entrückt worden, was seine Gegner als Betrugsversuch werteten: Er habe sich in den Vulkan Ätna gestürzt, um seine Spuren zu verwischen. Hölderlin nimmt die Legende für wahr, schreibt also kein Geschichts-Drama, sondern feiert den Philosophen als großen, verkannten Weisen, den Verkünder einer neuen Welt.
La vita del compositore tedesco Adrian Leverkühn narrata da un amico
Opera tra le più significative di Thomas Mann, Doctor Faustus è la tragica storia di Adrian Leverkühn, un musicista tedesco che come Faust ottiene dal demonio anni di meravigliosa attività intellettuale in cambio della dannazione eterna. Scritto alla fine della Seconda guerra mondiale e nell'immediato dopoguerra, il romanzo dà voce all'atmosfera disperata di quella che fu la catastrofe della Germania. Intorno alla narrazione principale, che abbraccia tre generazioni, si muove un mondo di personaggi presentati con la sapiente maestria di un grande stilista, con accorata pietà o con mordente ironia, mentre alla trama centrale si annodano digressioni che spaziano nei campi della musica, della filosofia, della scienza.
