Frank McCourt wordt geboren als oudste zoon van een doodarm Iers gezin in het New York van de jaren dertig. Zijn vader is een vriendelijke zachtaardige man, maar een onverbeterlijke alcoholist die er niet in slaagt zijn gezin te onderhouden. Als hij dronken thuiskomt, haalt hij steevast zijn zoontjes uit bed om hen, stram in de houding als kleine soldaatjes, nationalistische Ierse liederen te laten zingen. Maar de magische klank van het woord Ierland gaat al snel verloren als het gezin door geldnood gedwongen remigreert naar Limerick, de geboorteplaats van Franks moeder Angela.
Vienna 1938. Giovane, bella e chic, Trudi Miller crea cappelli per le donne più eleganti della città. Quando comincia a frequentare Walter, un uomo d’affari affascinante e carismatico, in breve se ne innamora. Ma il loro idillio avrà vita breve: Trudi e Walter sono ebrei e quando i carri armati di Hitler entrano in Austria sanno che saranno costretti a fuggire. Ragazze, cappelli e Hitler narra un’incredibile storia di vita vissuta che da Vienna a Praga, dall’Est-Europa fino alla Londra dei bombardamenti, racconta dei disperati tentativi compiuti da Trudi per garantire un rifugio sicuro a sé e Walter, per fuggire dagli orrori che hanno inghiottito l’Europa.
Een herinnering - Het aangrijpende vervolg op De as van mijn moeder
398bladzijden
14 uur lezen
Autobiografisch relaas over het leven van een Ier in het New York van de jaren 1950-1985. In De nieuwe wereld beschrijft Frank McCourt de tweede helft van zijn leven, wanneer hij terugkeert naar de Verenigde Staten en zijn weg zoekt in de keiharde Amerikaanse maatschappij. Frank McCourt woont en werkt in New York. In 1997 won hij de Pulitzer Prize voor De as van mijn moeder.
A thrilling journey into the minds of African elephants as they struggle to survive. If, as many recent nonfiction bestsellers have revealed, animals possess emotions and awareness, they must also have stories. In The White Bone, a novel imagined entirely from the perspective of African elephants, Barbara Gowdy creates a world whole and separate that yet illuminates our own.For years, young Mud and her family have roamed the high grasses, swamps, and deserts of the sub-Sahara. Now the earth is scorched by drought, and the mutilated bodies of family and friends lie scattered on the ground, shot down by ivory hunters. Nothing-not the once familiar terrain, or the age-old rhythms of life, or even memory itself-seems reliable anymore. Yet a slim prophecy of hope is passed on from water hole to water hole: the sacred white bone of legend will point the elephants toward the Safe Place. And so begins a quest through Africa's vast and perilous plains-until at last the survivors face a decisive trial of loyalty and courage.In The White Bone, Barbara Gowdy performs a feat of imagination virtually unparalleled in modern fiction. Plunged into an alien landscape, we orient ourselves in elephant time, elephant space, elephant consciousness and begin to feel, as Gowdy puts it, what it would be like to be that big and gentle, to be that imperiled, and to have that prodigious memory.
"L’altro mio problema era che mi stavo innamorando di Gretchen, la mia amica del cuore, che secondo tutti quanti (pensavo io) era una cicciona. Stavamo cantando in quel catorcio della sua macchina e alla fine del pezzo – White Riot dei Clash – mi resi conto dal modo in cui le guardavo la bocca corrugata che faceva un sorriso e gli occhi ammiccanti, complici, che eravamo molto più che amici, almeno per me". Brian, diciasettenne di Chicago, ama i videogiochi, la musica metal e la sua amica Gretchen, un’attaccabrighe con i capelli tinti di rosa, cicciona e sboccata. Nel frattempo Gretchen ama i Ramones e i Clash e il delinquente razzista Tony Degan di ventisei anni. Inoltre è famosa per picchiare le altre ragazze, come quando aveva rotto un braccio a Amy Schaffer a una festa di Halloween: "Gretchen s’era vestita da Kennedy post-attentato col completo nero, il sangue e i buchi delle pallottole, e Amy Schaffer aveva stralunato gli occhi e aveva detto: Mamma mia, sembri proprio un uomo e allora Gretchen si era girata, l’aveva presa per un braccio e gliel’aveva storto forte dietro la schiena”. Un romanzo violento, tenero e divertente che ha conquistato l’America.
A barrister, a priest, a detective, a lovelorn Irishman, a handwriting expert, a heinous spiritual medium - the very British bachelors of Muriel Spark's supreme 1960 novel come in every stripe.. "First found contentedly chatting in their London clubs and shopping at Fortnum's, the cozy bachelors (as any Spark reader might guess) are not set to stay cozy for long. Soon enough, the men are variously tormented - defrauded or stolen from; blackmailed or pressed to attend horrid seances - and then plunged, all together, into the nastiest of lawsuits. At the center of that suit hovers pale, blank Patrick Seton, the medium. Meanwhile, horrors of every size plague the poor bachelors - from the rising price of frozen peas to epileptic fits, forgeries, spiritualists foaming with protoplasm, and murder.
New England White touches on issues of race, class and influence. At the center of the novel are college president Lemaster Carlyle and his wife, Julia, a deputy divinity school dean. This sympathetic couple represent a new breed of prominent, well-connected African Americans who navigate with ease in the mainly white power structure. Their security begins to wobble dangerously as Julia investigates the hidden motive behind a murder in their community. A well-crafted literary novel that grapples with serious social and ethical issues.
