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Marcella Dallatorre

    L'invenzione del passato
    Onze Lieve Vrouwe van het Woud
    Christine Falls
    Vergeef me
    • Vergeef me

      • 744bladzijden
      • 27 uur lezen

      De levensgeschiedenis van een Amerikaanse eeneiïge tweeling van wie er één schizofreen is.

      Vergeef me
      4,2
    • Christine Falls

      • 400bladzijden
      • 14 uur lezen

      Quirke's pathology department, set deep beneath the city, is his own gloomy realm: always quiet, always night, and always under his control. Until late one evening after a party he stumbles across a body that should not be there and his brother-in-law falsifying the corpse's cause of death. This is the first time Quirke has encountered Christine Falls, but the investigation he decides to lead into the way she lived and died uncovers a dark secret at the heart of Dublin's high Catholic network; one with the power to shake his own family and everything he holds dear. 'A superb stylist ...His control and pacing cannot be faulted, and the final outcome is almost unbearably moving ...You're in for a treat' - Michael Dibdin, Guardian. 'Succeeds sensationally ...An absorbing plot, beguiling characters and evocative settings ...His pacing is impeccable' - Marcel Berlins, The Times. 'A gripping, beautifully crafted thriller ...A one sitting-read, an all-night enticement' - Scotsman.

      Christine Falls
      3,5
    • Onze Lieve Vrouwe van het Woud

      • 247bladzijden
      • 9 uur lezen

      Nadat een 16-jarig zwerfstertje in 1999 in de bossen bij Washington een visioen van Maria heeft gehad, wordt het stadje, waar velen werkloos zijn, overspoeld door gelovigen, fanatici en verkopers van religieuze artikelen.

      Onze Lieve Vrouwe van het Woud
      3,0
    • L'invenzione del passato

      • 258bladzijden
      • 10 uur lezen

      Axel Vander is an old man, in ill health, recently widowed, a scholar renowned for both his unquestionable authority and the ferocity and violence that often mark his conduct. He is known to be Belgian by birth, to have had a privileged upbringing, to have made a perilous escape from World War II–torn Europe—his blind eye and dead leg are indelible reminders of that time. But Vander is also a master liar (“I lied to lie”), his true identity shrouded under countless layers of intricately connected falsehoods. Now a young woman he doesn’t know, and whom he has dubbed “Miss Nemesis,” has threatened to expose the most fundamental and damaging of these lies. Vander has agreed to travel from California to meet her in Italy—in Turin, city of the most mysterious shroud—believing that he will have no difficulty rendering her harmless. But he is wrong. This woman—at once mad and brilliant, generous and demanding—will be the catalyst for Vander’s reluctant journey through his past toward the truths he has hidden, and toward others even he will be shocked to discover. In <i>Shroud</i>—as in all of his acclaimed previous novels—John Banville gives us an emotionally resonant tale, exceptionally rich in language and image, dazzling in its narrative invention. It is a work of uncommon power.

      L'invenzione del passato