Claudia Strauss Boeken

"Culture" and "meaning" are central to anthropology, but anthropologists do not agree on what they are. Claudia Strauss and Naomi Quinn propose a new theory of cultural meaning, one that gives priority to the way people's experiences are internalized. Drawing on "connectionist" or "neural network" models as well as other psychological theories, they argue that cultural meanings are not fixed or limited to static groups, but neither are they constantly revised or contested. Their approach is illustrated by original research on understandings of marriage and ideas of success in the United States.

The book explores the diverse motivations behind work among unemployed Americans, highlighting stories from various occupations, including day laborers and corporate managers. By featuring both immigrant and native-born individuals, it challenges the conventional narrative of workaholism driven by a Puritan work ethic, revealing a richer tapestry of experiences and aspirations related to work.

The book explores how Americans shape their opinions on immigration and social welfare through established patterns of discourse rather than ideological beliefs. It delves into the language and narratives that influence public perception, suggesting that these conventional ways of speaking play a crucial role in forming attitudes towards these complex social issues.

The book explores how Americans shape their opinions on immigration and social welfare through established linguistic frameworks rather than ideological beliefs. It delves into the influence of language and discourse on public perception, suggesting that common phrases and narratives play a significant role in forming attitudes towards these critical social issues.

Exploring the interplay between Picasso's lithographs and historical art influences, this book delves into the series Raphael and La Fornarinä, particularly the print depicting "The Pope in the Armchair Feels Cuckolded." It highlights connections to European painters and the ideal of beauty, while also examining Japanese Edo period artists, specifically Sugimura Jihei's rare prints. The analysis stems from a 2009 exhibition at the Picasso Museum and aims to uncover overlooked ties between Picasso and Japanese erotic prints, enriching the understanding of his artistic reception.

In What Work Means, Claudia Strauss observes that Americans are often described as workaholics driven by a Puritan work ethic. Drawing upon the evocative stories of unemployed Americans from a wide range of occupations, from day laborers to corporate managers, both immigrant and native-born, Strauss shows that this Puritan ethic cultural description homogenizes diverse work motivations. Describing Americans as workaholics conflates different forms of the Protestant work ethic. It ignores competing work ethics, such as working to live well instead of living to work. It overlooks the differing ways Americans understand work-life balance, appropriate consumption, self-sufficiency, the division of breadwinning responsibilities in couples, and meanings of work for one's gender identity. Moreover, the workaholic description misses the fun that many Americans say they find from their jobs. Stretching from the Great Recession to the Covid-19 pandemic, What Work Means inspires discussions about current work and its many meanings in current contexts of teleworking, greater automation, and nonstandard employment.

Die Analyse der Lithografien aus der Serie "Raphael und La Fornarina" von Picasso beleuchtet insbesondere den Druck "Der Papst im Sessel fühlt sich betrogen" und dessen vielfältige Bezüge. Ausgehend von einer Ausstellung im Picasso-Museum 2009 untersucht das Buch die Verbindungen zu europäischen Malern und thematisiert das Schönheitsideal. Zudem werden seltene Grafiken des japanischen Künstlers Sugimura Jihei betrachtet, um die Wechselwirkungen zwischen Picassos Werk und japanischen erotischen Drucken zu erforschen und so die Rezeption Picassos in einem breiteren kulturellen Kontext zu erweitern.

Este livro explora a série "Raphael e La Fornarina" de Picasso, com foco nas suas litografias de 1968 e nas conexões com a arte erótica japonesa. A pesquisa revela ligações entre Picasso e artistas europeus, além de destacar obras raras de Sugimura Jihei, ampliando a compreensão da recepção da arte de Picasso.