Italo Svevo Boeken

Op verzoek van zijn psychiater houdt een oudere man boek van zijn strijd met slechte gewoontes.

Fragmenten van het vervolg op "Bekentenissen van Zeno."

Verhalen uit de wereldliteratuur over levensbeschouwelijke thema's.

A newly translated collection of fiction by the influential Italian modernist, continuing on his landmark work Zeno's Conscience. A Very Old Man collects five linked stories, parts of an unfinished novel that the great Triestine Italo Svevo wrote at the end of his life, after the international success of Zeno’s Conscience in 1923. Here Svevo revisits with new vigor and agility themes that fascinated him from the start—aging, deceit, and self-deception, as well as the fragility, fecklessness, and plain foolishness of the bourgeois paterfamilias—even as memories of the recent, terrible slaughter of World War I and the contemporary rise of Italian fascism also cast a shadow over the book’s pages. It opens with “The Contract,” in which Zeno’s manager, the hardheaded young Olivi, expresses, like the war veterans who were Mussolini’s early followers, a sense of entitlement born of fighting in the trenches. Zeno, by contrast, embodies the confusion and paralysis of the more decorous, although sleepy, way of life associated with the onetime Austro-Hungarian Empire which for so long ruled over Trieste but has now been swept away. As always, Svevo is attracted to the theme of how people fail to fit in. It is they, he suggests, who offer a recognizably human countenance in a world ravaged by the ambitions and fantasies of its true believers.

First published in 1893, this novel is concerned with the bourgeois soul and its inability to will or act. The heroes are typically men of business, but with cultural pretensions and he depicts them in their free time when they are not working.

Not so long ago Emilio Brentani was a promising young author. Now he is an insurance agent on the fast track to forty. He gains a new lease on life, though, when he falls for the young and gorgeous Angiolina - except that his angel just happens to be an unapologetic cheat. But what begins as a comedy of infatuated misunderstanding turns darker, as Emilio's jealous persistence in his folly - against his friends' and devoted sister's advice, and even his own best knowledge - may lead to severe consequences in his other relationships. Marked by deep humanity and earthy humor, by psychological insight and an elegant simplicity of style, As a Man Grows Older (Senilità, in Italian; the English title was the suggestion of Svevo's great friend and admirer, James Joyce) is a brilliant study of hopeless love and hapless indecision. It is a masterwork of Italian literature, here beautifully rendered into English in Beryl de Zoete's classic translation.

...the sin of an old man is equal to about two sins of a young man. The fable-like story of an old man's sexual obsession with a young woman is a distillation of Italo Svevo's concerns--attraction of an older man to a younger woman, individual conscience versus social convention, and the cost of sexual desire. This novella is a marvel of psychological insight, following the man's vacillations and tortuous self-justifications to their tragic-comic end. It is presented here in a translation first commissioned and published by Virginia Woolf for her Hogarth Press. The Art of The Novella Series Too short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers. Nonetheless, it is a form beloved and practiced by literature's greatest writers. In the Art Of The Novella series, Melville House celebrates this renegade art form and its practitioners with titles that are, in many instances, presented in book form for the first time.

Eigentlich Ettore Schmitz, geboren am 19. Dezember 1861 in Triest. Besuchte eine deutsche Schule (Segnitz bei Würzburg), erhielt eine kaufmännische Ausbildung in Triest, wurde Bankangestellter und später Unternehmer. Seine ersten beiden Romane setzten sich nicht durch. Entdeckt und gefördert wurde er erst durch James Joyce und Valéry Larbaud. Noch vor dem Durchbruch der Psychoanalyse machte Svevo die psychologische Erforschung des Durchschnittsmenschen und seiner banalen Existenz zum Stoff seiner Romane, in denen er auch bereits die Technik des Bewustseinsstromes ausbildete. Er gilt heute neben Joyce, Proust, Kafka und Musil als bahnbrechender Erzähler der modernen Weltliteratur. Italo Svevo kam am 13. September 1928 bei einem Autounfall ums Leben.