Simon Schama Boeken

This dazzling, unconventional biography shows us why, more than three centuries after his death, Rembrandt continues to exert such a hold on our imagination. Deeply familiar to us through his enigmatic self-portraits, few facts are known about the Leiden miller's son who tasted brief fame before facing financial ruin (he was even forced to sell his beloved wife Saskia's grave). The true biography of Rembrandt, as Simon Schama demonstrates, is to be discovered in his pictures. Interweaving of seventeenth-century Holland, Schama allows us to see Rembrandt in a completely fresh and original way.

The words that failed were words of hope. But they did not fail at all times and everywhere. These gripping pages teem with words of defiance and optimism, sounds and images of tenacious life and adventurous modernism, music and drama, business and philosophy, poetry and politics.

Simon Schama, the author of "The Embarrassment of Riches" and "Citizens", sets out to tell the history of two certainties, of two deaths. In discussing the "speculations" surrounding them, he finds himself involved in a history he cannot classify - the unpredictable history of stories. On 13 September 1759, General James Wolfe, having led the British troops up the St Lawrence to victory in the Battle of Quebec, died on the Heights of Abraham. Schama examines this death, and how Wolfe was made to die again - through the spectacular painting by Benjamin West, and through the writings of the 19th-century historian Francis Parkman. Schama's second death concerns Parkman's uncle, George Parkman of Harvard Medical College, who disappeared in 1849 in mysterious circumstances and who was rumoured to have been murdered by a colleague. Through these incidents, Schama sheds light on the writing of history, the history of history, and the relationship of "story" to "history".

Simon Schama sets out to discover which story, if any story, is the story of the many stories of the disappearance of Doctor George Parkman, the perfect Yankee. Plus: William Boyd, Geoffrey Wolff, Louise Erdrich, Don DeLillo, Amitav Ghosh, and Martin Amis’s Time’s Arrow (part two).

This first title in a brand-new series of Porter Profiles throws the spotlight on one of the most successful Big Healeys of all time. It is one of few cars to have such a varied history throughout a racing career that spans its entire life. Registered UJB 143, it was a works entry for the Sebring 12 Hours and Le Mans 24 Hours in 1960. After being sold to the privateer Ecurie Chiltern outfit, it was re-registered DD 300 and returned to the famous French enduro in ’61 and ’62. It then passed to Healey stalwart John Chatham and would regularly be raced over the next four decades, in everything from Modsports to sprints and finally historic events. The Healey’s long and successful career continues with its current owners and it is all covered in this fascinating new book, complete with a superb selection of period photographs.

A new and vibrant cultural history, investigating the tangled and complex history of pandemics and vaccines, by bestselling author and historian Simon Schama. With the devastating effects of Covid-19 still rattling the foundations of our global civilization, we live in unprecedented times - or so we might think. But pandemics have been a constant presence throughout human history, as humans and disease live side by side. Over the centuries, our ability to react to these sweeping killers has evolved, most notably through the development of vaccines. The story of disease eradication, however, has never been one of simply science - it is political, cultural and deeply personal. Ranging across continents and centuries, Schama unpacks the stories of the often unknown individuals whose pioneering work changed the face of modern healthcare. Questioning why the occurrence of pandemics appears to be accelerating alarming, he looks into our impact on the natural world, and how that in turn is impacting us. And interrogates how geopolitics has had an often devastating effect on global health. Inspirational and tragic in turn, these are stories of success and failure, of collaboration and of persecution, as humanity struggles to work together in the face of one of our most deadly shared enemies: the pandemic.

"Cities and countries engulfed by panic and death, desperate for vaccines but fearful of what inoculation may bring. This is what the world has just gone through with Covid-19. But as Simon Schama shows in his epic history of vulnerable humanity caught between the terror of contagion and the ingenuity of science, it has happened before. Characteristically, with Schama the message is delivered through gripping, page-turning stories set in the eighteenth and nineteenth centuries: smallpox strikes London; cholera hits Paris; plague comes to India. Threading through the scenes of terror, suffering and hope - in hospitals and prisons, palaces and slums - are an unforgettable cast of characters: a philosopher-playwright burning up with smallpox in a country chateau; a vaccinating doctor paying house calls in Halifax; a woman doctor in south India driving her inoculator-carriage through the stricken streets as dead monkeys drop from the trees. But we are also in the labs when great, life-saving breakthroughs happen, in Paris, Hong Kong and Mumbai. At the heart of it all, an unsung hero: Waldemar Haffkine. A gun-toting Jewish student in Odesa turned microbiologist at the Pasteur Institute, hailed in England as 'the saviour of mankind' for vaccinating millions against cholera and bubonic plague in British India while being cold-shouldered by the medical establishment of the Raj. Creator of the world's first mass production line of vaccines in Mumbai, he is tragically brought down in an act of shocking injustice. Foreign Bodies crosses borders between east and west, Asia and Europe, the worlds of rich and poor, politics and science. Its thrilling story carries with it the credo of its author on the interconnectedness of humanity and nature; of the powerful and the people. Ultimately, Schama says, as we face the challenges of our times together, 'there are no foreigners, only familiars'"--Publisher's description