William Maxwell was een Amerikaanse romanschrijver en redacteur van fictie bij The New Yorker. Zijn bejubelde fictie, steeds meer beschouwd als een van de belangrijkste van de 20e eeuw, verkent regelmatig thema's als kinderjaren, familie, verlies en levens die stil en onherroepelijk veranderen. Een groot deel van zijn werk is autobiografisch, met name wat betreft het verlies van zijn moeder tijdens zijn jeugd, wat zijn wereldbeeld diepgaand vormde. Maxwells schrijven wordt gekenmerkt door een ontroerende reflectie op de vergankelijkheid van het leven en een diep, resonerend gevoel voor plaats.
Through seven wonderfully moving stories, 40-year New Yorker editor William Maxwell revisits his native town of Lincoln, Illinois, in the early 1900s and brings back some of its inhabitants who peopled his youth and have, through the years, haunted his memories. Billie Dyer -- Love -- The man in the moon -- With reference to an incident at a bridge -- My father's friends -- The front and the back parts of the home -- The holy terror
The decision to invite his Southern relatives to stay proves a fateful one for Austin King. Against the perfectly-drawn background of small-town Illinois at the turn of the 20th century, Maxwell once again uncovers the seeds of potential tragedy at the heart of a happily-established family.
Discover William Maxwell's classic, heart-breaking portrait of an ordinary American family struck by the 1918 Spanish Flu pandemic 'A story of such engaging warmth that it would thaw the heart of any critic... Will melt many a reader to tears' TIME Elizabeth Morison is an ordinary woman. Yet, to eight-year-old Bunny, his mother is the centre of his universe. To Robert, her elder son, she is someone he must protect against the dangers of the outside world. And to her husband, James, she is the foundation on which his family rests and life without her is unimaginable. As the dark winter of 1918 dawns and the shadow of Spanish flu starts to disturb day-to-day life, a moving portrait of Elizabeth takes shape, set against the lives and fate of the Morison family. 'As you read They Came Like Swallows, you catch yourself from time to time being astonished at how tightly you're gripping the pages... There isn't a word that has dated. It could have been written yesterday, or tomorrow' Nicholas Lezard, Guardian
Few institutions seem more opposed than African American literature and J. Edgar Hoover's white-bread Federal Bureau of Investigation. But behind the scenes the FBI's hostility to black protest was energized by fear of and respect for black writing. Drawing on nearly 14,000 pages of newly released FBI files, F.B. Eyes exposes the Bureau's intimate
Op het platteland diep in Illinois delen twee naburige boeren, die onafscheidelijk zijn, veel en op zeker moment te veel. Een van de twee kan de jaloezie niet meer aan en op een koude winterochtend valt er een schot. Op die dag komt er ook een eind aan de vriendschap tussen de verteller en zijn beste vriend Cletus Smith, de zoon van de moordenaar. Ze wisselen geen woord meer, en als ze elkaar na lange tijd weer ontmoeten, lopen ze elkaar straal voorbij. Vijftig jaar later probeert de verteller de gebeurtenissen die tot de moord hebben geleid te reconstrueren. Hij wordt nog steeds achtervolgd door schuldgevoelens. Hij denkt dat hij op het beslissende moment iets belangrijks over het hoofd heeft gezien of achterwege heeft gelaten. Maar wat?
Spud Latham is slow at school but quick to fight and a natural athlete - Lymie Peters, thin, pigeon-chested and terrible at games, is devoted to him. It is Lymie who first meets Sally Forbes, but it is Spud she falls in love with. This signals the end of their friendship and the rift is almost more than Lymie can bear.
It is 1948 and a young American couple arrive in France for a holiday, full of anticipation and enthusiasm. But the countryside and people are war-battered, and their reception at the Chateau Beaumesnil is not all the open-hearted Americans could wish for.
William Maxwell, a pivotal figure in shaping the literary short story during his tenure at The New Yorker, was also a talented novelist and essayist. Alec Wilkson, drawing from his deep friendship with Maxwell, has curated a collection of the author's lesser-known and unpublished works. This compilation offers a unique glimpse into Maxwell's literary contributions, showcasing both his fiction and nonfiction, enriched by insights from his private papers.
It is 1948, and a young American couple arrive in France for a holiday, full of anticipation and enthusiasm. But the countryside and people are war-battered, and their reception at the Chateau Beaumesnil is not all the open-hearted Americans could wish for.
