Schuldvraag
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De vrouw van een succesrijk advocaat wordt in haar eigen huis op bloedige wijze vermoord.
Deze auteur put diep uit haar achtergrond als strafrechtadvocaat en creëert meeslepende verhalen die de ingewikkelde landschappen van misdaad en menselijke motivatie verkennen. Haar verhalen spelen zich vaak af tegen de achtergrond van suggestieve locaties, met name kustgebieden die haar creatieve geest voeden. Met een scherp oog voor psychologische nuances en een vlotte prozastijl duikt ze in de morele complexiteiten waarmee haar personages worden geconfronteerd. Haar werk biedt lezers een diep inzicht in de kruising van recht, moraal en de blijvende vragen van de menselijke conditie.






De vrouw van een succesrijk advocaat wordt in haar eigen huis op bloedige wijze vermoord.
Wanneer een ex-politieagente onderzoekt wie haar zuster enkele jaren eerder op brute wijze heeft vermoord, leidt het spoor naar een relatiebemiddelingsbureau.
Twee Londense zusjes, van wie er een in het klooster zit, krijgen alleen hun erfdeel als ze twee jaar lang niet openlijk zondigen; dat lijkt gemakkelijk, totdat een mooie jongeman roet in het eten komt gooien.
Een Amerikaan reist naar Engeland om zijn jeugdliefde na twintig jaar op te zoeken, maar hij ontdekt dat ze in de gevangenis zit wegens moord op haar gehandicapte zoontje.
In de loop van het onderzoek naar de moord op de echtgenote van een plaatselijke projectontwikkelaar krijgt de politie toch twijfels over de identiteit van de mogelijke dader.
In Shadow Play, Frances Fyfield hones her powers of writerly suspense to give us a sophisticated, psychologically gripping tale about crimes of the most twisted passions. The odd, vaguely menacing little man called Mr. Logo is a familiar figure in the old court building in London. Although frequently brought before the magistrate for indecent assault, he is invariably acquitted due to lack of evidence. He is especially familiar to Helen West, the take-no-prisoners Crown Prosecutor who has just failed for the fifth time to prosecute him. Now he is off-limits to her until his next appearance in court. Yet, when she befriends Rose, the young, compulsively secretive and promiscuous clerk in the office, Helen West unwittingly sets in motion events that will dangerously complicate her connection to Mr. Logo and push his rage and dark passion to lethal extremes.
FYFIELD IS A WONDER . . . A very intricate and surprise-filled plot." --Los Angeles Times Book Review Helen West, Crown Prosecutor in domestic violence court, is working up a good case of burnout because justice-by-the-book seldom seems to do the women she represents much good. Helen's love affair with Police Superintendent Geoffrey Bailey also seems to be losing its fire. Then, as if someone has designed a test case for her, Helen learns that humble Cath, her cleaning woman, is being beaten by her husband. Cath has no family--her beautiful brother, Damien, has recently been brutally murdered--so she needs all the help she can get. Helen is willing to give it. But as the truth of Cath's young life, her marriage, and her brother's murder begin to take shape, piece by jagged piece, help and justice seem hard to come by . . . and may be forever beyond reach. "Fyfield is a brilliant writer, her pen dipped in acid and moonbeams." --The Cleveland Plain Dealer "Powerful stuff . . . Compelling."
With the skill and empathy which caused A.N. Wilson to describe her as 'the best female crime writer in this country', Frances Fyfield has produced an outstanding novel of the destruction of hatred and revenge.
When the domineering wife of pharmacist Pip Carlton dies in her sleep, on one suspects Pip, even though he had access to all sorts of deadly poisons. But amateur sleuth Helen West and her friend Detective Constable Geoffrey Bailey soon become suspicious in this chilling tale of psychological terror.
Marianne Shearer is at the height of her career, a dauntingly successful barrister, respected by her peers and revered by her clients. So why has she killed herself? Peter Friel is determined to find out if her last trial held the reason for taking her own life.
Sarah Fortune, first encountered in Shadows on the Mirror, is sent to Merton-on-Sea in Norfolk to sort out the inheritance problems of the small town's premier family. But she discovers much more than just an ambiguously-worded will - and also has to confront the pain of her own past.
Isabel Burley returns to her childhood home to look after her mother, who is suffering from Alzheimer's disease. There she finds an angry old woman, prey to the threats of failing memory, the inability to run her own life and the local villains, who are eyeing her isolated house. The real threat, however, comes from within. Isabel thinks she has gone home to do good, but really she is looking for the love she lacked as a child. Isolated by her mother's growing dementia, the two women become locked in a relationship of hatred and simmering violence, with roots that go deep into the past. . .
Reissue of a classic Sarah Fortune psychological treat
Sarah Fortune inherited her flat from one of her many lovers. Now a son has appeared claiming it is his, morally if not strictly legally, and he is using illegal means to persuade Sarah to give it up: abusive letters threatening her personal harm. As it becomes more difficult to ignore these missives, Sarah comes across Henry, a timid, lonely man whose upstairs neighbour is using every trick in the racketeer landlord's book to make him leave his home: litter in the shared hallway, continual noise, poison set out for his cat. It seems that if they swap accommodation for a while they may be able to deal with each other's problems. But these two strangers have unknown connections in common: a well-meaning widow, a struggling therapist, and a man who sets fire to other people's property for a living ...
A woman's naked and dead body is found outside the Essex commuter village of Branston. Crown Prosecutor Helen West and the local police discover a world of passion and envy ready to explode under the veneer of village gentility.
Henry didn't turn back when Francesca needed him twenty years before. Now, on some sort of journey to anchor his soul, he arrives in her home town of Warbling and discovers that she's even further beyond his reach - serving a life sentence for the murder of her child. Still intrigued by her, and entranced by his memories, he becomes drawn into the town and the people who knew her far better than he - her cousin, her lawyer, her closest friend, Angela, whose adopted daughter Francesca had helped her acquire. He finds himself a lodger in the House of Enchantment, an eccentric boarding house run by two gays who believe the comfort of their guests is above profit. And he finds himself incapable of believing that Francesca is a killer, even if she did confess her crime in chillingly logical detail. But if it wasn't her, then who? Peopled with richly quirky and original characters, this is a novel of suspense in which the truth is better left unknown.
A horrific rape case turns into a dilemma for prosecutor Helen West and Superintendent Bailey when the accused is a police officer whom they both know.
A stylish recover of the first Sarah Fortune novel.
Different people react to disasters in different ways. But why would Amy Petty want the world to presume her dead?Fate is not alone in deciding who lives and who dies after the crash of a train travelling from Kent to London. One passenger uses the opportunity to commit a murder. Another — the blonde and beautiful Amy Petty — uses the accident as an opportunity to leave her life behind....Is it because Amy’s husband is currently embroiled in a libel action against a national newspaper? Douglas Petty, a former barrister, is rich, charismatic and evil tempered: he runs a dog sanctuary in a brutally eccentric manner. Amy is his star witness: without her, his reputation faces ruin. Or maybe it isn’t the present that Amy is running from. Maybe it is the past....The Nature of the Beast is mesmerizing. A brooding thriller of truth, betrayal and human instinct, it is Frances Fyfield at her most thrilling best.
Elisabeth Young is a picture restorer with modest needs -- complete privacy and the beauty of the paintings she painstakingly brings back to life. But as she works absorbed and alone in her basement flat, she becomes haunted by the echo of mysterious footsteps and a silent figure in the shadows. When a wealthy recluse persistently invites her to restore his remarkable collection, the offer finally proves irresistible. His luxurious residence seems to be the refuge she seeks -- because of the warmth, because of the paintings and because she is so desperately afraid of the footsteps outside. Too late, Elisabeth realizes her error as privacy becomes her nemesis.
When Theo Calvert was driven out of the family home by his wife's cloying piety he had determined that his daughters would follow him, but in the face of the law, the girls' health and his wife's intransigence, he failed. But, if he lost the battle for their souls in life, he would make amends in death, craftily shaping his will to benefit them so long as they did not follow their mother's example. His daughters felt they had lost either way, especially Anna. She had promiscuously turned her back on her mother's teachings, but watched in horror as her sister Therese followed those same lessons and naively accepted the faith which Anna was certain had ruined their lives. In her rebellion against such blind belief she at first doesn't notice the worm in their midst when the convent where Therese has settled employs a new gardener. And when she does wake up to the danger she realises she may have left it too late to save their legacy and their lives.
The story unfolds with Richard Beaumont, who witnesses a mysterious woman's tragic fall from the Dover cliffs. Struggling with the haunting image, he isolates himself from his wife, Lilian, and becomes consumed by the need to capture the moment through his art. As he obsessively paints the scene, the narrative delves into themes of grief, obsession, and the impact of trauma on relationships, highlighting Richard's internal conflict and the consequences of his fixation on the unknown woman.
Set against a backdrop of psychological tension, this gripping thriller explores the complexities of confinement and the human psyche. It weaves a tale of resilience and survival, drawing comparisons to the emotional depth found in works like Emma Donoghue's Room and V. C. Andrews' Flowers in the Attic. The narrative delves into the characters' intricate relationships and the dark secrets that bind them, creating a chilling atmosphere that keeps readers on the edge of their seats.
Alles in Elisabeths Leben scheint wohl geordnet. Sie wirkt ausgeglichen und ihr Job als Restaurateurin verschafft ihr die nötige Unabhängigkeit und Ruhe. Doch der Schein trügt. Elisabeth fühlt sich verfolgt-und schon bald zeigt sich das ihre Ängste berechtigt sind. Langsam und offenbar unausweichlich zieht sich die Schlinge um sie zusammen. Liegt die Antwort auf alles vielleicht in der geheimnisvollen Madonna, an der Sie gerade arbeitet? Schicht um Schicht kommt Elisabeth der Wahrheit näher. Doch viel zu lange verschließt sie die Augen vor dem, was sie aus der Vergangenheit bedroht.
Helen West ist überzeugt, daß die Frau des Apothekers ermordet wurde – auch wenn die bei der Obduktion gefundene Dosis Chloroform nicht tödlich gewesen sein kann. Und sie ist sicher, daß der Ehemann der Toten lügt. Mit ihrer Hartnäckigkeit handelt sich Helen allerdings eine Menge Ärger ein. Denn nicht nur ihr Chef ist gegen eine weitere Untersuchung des Falls, sondern auch ihre inzwischen feste Beziehung, Superintendent Bailey ...
Die Londoner Anwältin Sarah Fortune ermittelt Flammendrote Haare und ein messerscharfer Verstand. Das sind die unübersehbaren Merkmale der jungen Londoner Anwältin Sarah Fortune. Sie will im Badeort Merton-on-Sea eigentlich nur eine harmlose Erbschaftssache abwickeln, als sie unversehens in einen Mordfall verstrickt wird, der mit ihrer eigenen Vergangenheit in Verbindung steht. Ausgerechnet hier soll Charles Tysall unter ungeklärten Umständen ertrunken sein - ein ehemaliger Klient, der ihr die heftigsten Avancen machte und sie geradezu verfolgte -, ebenso wie seine rothaarige Frau Elisabeth. Der jungen Anwältin bleibt gar nichts anderes übrig, als auf eigene Faust zu ermitteln. Die Strafrechtlerin Frances Fyfield hat sich als Krimiautorin auch in Deutschland einen Namen gemacht. Sie gilt als eine der ganz großen britischen Crime-Ladies.
Rechtsanwältin Sarah Fortune kümmert sich in der Anwaltskanzlei Ernest Matthewsen vornehmlich um Klienten, die von ihren Anwaltskollegen eher gemieden werden. Dabei gerät sie in tödliche Gefahr.
Barcelona. 22 cm. 315 p. Encuadernación en tapa dura de editorial con sobrecubierta ilustrada. Traducción de Cristina Macía y Justo E. Vasco. Traducción Undercurrents .. Este libro es de segunda mano y tiene o puede tener marcas y señales de su anterior propietario. 8422696789
Francesca Chisholm sitzt wegen Mord im Gefängnis. Ihr wird vorgeworfen, ihren eigenen Sohn ertränkt zu haben. Ihr alter Freund Henry glaubt nicht an Francescas Schuld, stellt Nachforschungen an und stösst dabei auf eine Mauer des Schweigens.
405pages. poche. Poche.
Mrs. Nan ist stolz auf ihre Kochkünste, doch nach einem Curry erkranken ihr Ehemann und Sohn an Salmonellen. Die Gesundheitsbehörde untersucht eine mögliche Epidemie, die bei einer bestimmten ethnischen Gruppe auftritt. Währenddessen kocht Mrs. Nan weiter und verbirgt ein Päckchen Kokosnusspulver.
Katherine führt mit ihrem Mann und ihren beiden kleinen Kindern ein großbürgerliches Luxusleben, um das sie viele beneiden. Doch der Preis, den sie dafür zahlt, ist hoch: Denn hinter der Fassade des liebenden Ehemannes und Vaters lauert mörderische Wut und Gewalt. Und während Katherine versucht, sich die Liebe ihres Mannes durch Anpassung und Unterwerfung zu erhalten, ist die kleine Jeanetta dem Sadismus ihres Vaters hilflos ausgeliefert.
Aus dem Englischen von Pociao Zwei Romane in einem Band. 332, 287 S.
Rachel befindet sich an einem Tiefpunkt ihres Lebens, al ssie der charismatischen Ivy begegnet. Diese ist das vollkommene Gegenteil von Rachel: stark, lebenshungrig und unabhängig. Auch Ivys Eltern hat Rachel bald ins Herz geschlossen, und die Besuche auf dem Bauernhof der Familie werden für sie zur willkommenen Flucht aus ihrem monotonen Alltag. Doch je mehr sie der Liebenswürdigkeit ihrer neuen Ersatzfamilie verfällt, desto weniger erkennt Rachel, dass sie zur Trumpfkarte in einem mörderischen Spiel geworden ist.
Richard Beaumont hatte gehofft, an den weißen Klippen von Dover auf eine seltene Rabenart zu stoßen. Dass sie sich nun vor seinen Augen um die Leiche einer jungen Frau scharen, findet er grauenhaft. Kurz zuvor war der Frauenkörper auf seinem Weg in die Tiefe an ihm vorbeigerauscht, und Richard ist verstört zurückgeblieben. Nach diesem schrecklichen Erlebnis fährt der Vogelliebhaber und Hobbymaler in seine Londoner Wohnung und beginnt, den zerschmetterten Körper der jungen Frau in Öl zu malen. Wer war die Unglückliche an den Klippen,die, wie sich bald herausstellt, niemand vermisst und an die sich keiner erinnert? Hat sie sich in den Tod gestürzt, oder wurde sie gestoßen? Richards Nachbarin und gute Freundin Sarah Fortune fängt an, in dem Fall zu ermitteln. Weder Richard noch Sarah ahnen, dass des Rätsels Lösung in ihrer unmittelbaren Nähe schlummert.
393pages. 22x14x3cm. Broché. ni corné ni signature. en tres bon etat