Glen Duncan creëert verhalen die zich verdiepen in diepgaande filosofische en literaire verkenningen. Zijn proza onderscheidt zich door zijn rijke stijl en inzichtelijke perspectief op de menselijke conditie. Duncans werk navigeert door de ingewikkelde kruispunten van identiteit, cultuur en plaats, vaak geïnspireerd door zijn uitgebreide reizen en scherpe observaties van de wereld. Zijn schrijven nodigt lezers uit om de essentie van het bestaan en de zoektocht naar betekenis in diverse landschappen te overdenken.
TALULLA DEMETRIOU, YOU HAVE BEEN A VERY . . . BAD . . . GIRLTalulla Demetriou is the last living werewolf. Now she is pregnant. Pursued by enemies and racked by the need to kill, she flees to an Alaskan hunting lodge to have her child in secret. There, with her infant son in her arms, it looks as if the worst is over.Until the door bursts open - and she discovers that the worst is only just beginning . . .
'TWENTY THOUSAND YEARS, YOU THINK YOU'VE SEEN IT ALL. . .'Remshi is the oldest vampire in existence. He is searching for the werewolf named Talulla, whom he believes is the reincarnation of his long lost - and only - love. But he is not the only one seeking Talulla. Hunted by the Militi Christi, a religious order hell-bent on wiping out werewolves and vampires alike, Remshi and Talulla must join forces to protect their families, fulfil an ancient prophecy and save both their lives.
This is the confession of Dominic Francis Hood - Roman Catholic, sadist, conspirator to murder, witness to a miracle. Dominic's childhood had the usual cardinal points: the love of his family, a vague belief in God, a general curiosity, an emerging libido. But after he witnesses a miracle performed by Father Ignatius Malone, Dominic realises some part of him is skewed. Instead of becoming attracted to good, Dominic finds himself stimulated by the idea of other people's pain. And he knows that the mere fantasy will never be enough. WEATHERCOCK is the great modern moral inquiry, by one of England's brightest and most confronting young novelists. By turns hilarious, appalling, celebratory and sad, it is an investigation of profound temptations and those human weapons - sometimes formidable, sometimes frail - we bring to bear against them.
Brutally compelling serial killer thriller ... told at blistering pace. Daily Mail
When the two strangers turn up at Rowena Cooper's isolated Colorado farmhouse, she knows instantly that it's the end of everything. For the two haunted and driven men, on the other hand, it's just another stop on a long and bloody journey. And they still have many miles to go, and victims to sacrifice, before their work is done. For San Francisco homicide detective Valerie Hart, their trail of corpses - women abducted, tortured and left with a seemingly random series of objects inside them - has brought her from obsession to the edge of physical and psychological destruction. And she's losing hope of making a breakthrough before that happens. But the slaughter at the Cooper farmhouse didn't quite go according to plan. There was a survivor, Rowena's 10-year-old daughter Nell, who now holds the key to the killings. Injured, half-frozen, terrified, Nell has only one place to go. And that place could be even more terrifying than what she's running from.
The Prince of Darkness has been given one last shot at redemption, provided he can live out a reasonably blameless life on earth. Highly sceptical, naturally, the Old Dealmaker negotiates a trial period - a summer holiday in a human body, with all the delights of the flesh.The body, however, turns out to be that of Declan Gunn, a depressed writer living in Clerkenwell, interrupted in his bath mid-suicide. Ever the opportunist, and with his main scheme bubbling in the background, Luce takes the chance to tap out a few thoughts - to straighten the biblical record, to celebrate his favourite achievements, to let us know just what it's like being him. Neither living nor explaining turns out to be as easy as it looks. Beset by distractions, miscalculations and all the natural shocks that flesh is heir to, the Father of Lies slowly begins to learn what it's like being us.
The Prince of Darkness has been given one last chance: he will be readmitted to the company of his fellow angels if he agrees to live out a human life. Highly sceptical (naturally), the Old Deal-maker negotiates a trial period - a summer holiday in a human body, with all the delights of the flesh. The body, though, turns out to be that of Declan Gunn, a depressed writer living in Clerkenwell, interrupted mid-suicide. Making the best of a bad situation, Luce himself takes to writing - to explain, to strip back the Biblical spin, to help us see the whole thing from his point of view. And to knock that Jesus off his perch. Beset by distractions, miscalculations and all the natural shocks that flesh is heir to, Lucifer slowly begins to learn what it's like to be us. Glen Duncan's brilliantly written new novel is an investigation of the world of the senses - the seductiveness of evil, and the affection which keeps us human.
There's always someone's father, someone's mother, someone's wife, someone's son. This is the problem with killing and eating people. One of the problems.
Nathan's gravestone offers a short and hopeful summary: At rest. But Nathan is not at rest, and knows he won't be until he can find out how and why he died. A spectral spectator throughout the day of the wake, he listens to his wife, son, daughter, father and best friend, getting to know them like he has never known them before. But there are two things he can't understand: a strange young couple on the fringes of the wake, whose presence fills him with dread; and a room in his house he never knew existed, with a door he feels compelled to open. A door that he knows will lead to a terrifying secret.
