Adam Gopnik Boeken

"Echt, het woord 'islamofobie' is slecht gekozen als daarmee de haat wordt bedoeld die bepaalde idioten tegen moslims koesteren. En het is niet alleen slecht gekozen, het is ook gevaarlijk. [...] De strijd tegen racisme richt zich tegen alle vormen van racisme, maar waartegen is de strijd tegen islamofobie gericht? Tegen de kritiek op een godsdienst of tegen de afschuw van zijn beoefenaars, omdat ze van buitenlandse afkomst zijn?" Charb, vanaf 1992 een van de pijlers van Charlie Hebdo en een fervent voorvechter van gelijke rechten, getuigt van zijn ongerustheid over het feit dat hij de strijd tegen racisme verdrongen ziet worden door een strijd voor de bescherming en de promotie van een godsdienst. De term 'islamofobie' suggereert immers dat het erger is om de islam - dat wil zeggen, een manier van denken die op zich prima aanvechtbaar is - te verafschuwen dan moslims. Maar kritiek hebben op een godsdienst is geen misdrijf, terwijl iemand discrimineren op grond van zijn religieuze afkomst dat ontegenzeglijk wel is. Dit essay laat goed zien dat zowel racisten als radicale islamisten, demagogische politici en luie journalisten met het woord 'islamofobie' prima uit de voeten kunnen.

Wayne Thiebaud has long been recognized as one of Americas most prominent modern artists. Probably best known for his straightforward, deadpan, still-life paintings of the 1960s, Thiebaud is identified by his brilliant palette, his luscious handling of paint, and the intensity of light that lends a particularly California flavour to his images. Originally published on the occasion of the artists eightieth birthday, this definitive retrospective brings together 120 of Thiebauds most important paintings, watercolours and pastels, while thoughtful essays by Steven A. Nash and Adam Gopnik trace the course of his career from the 1950s, when he first began to emerge as a significant artist of our times.

Collects together 65 of the best of Mark Twain's short stories. It opens with The Notorious Jumping Frog of Calaveras County, a famous early story set on the Western frontier, and spans nearly 50 years during which Twain wrote a variety of short stories.

Bestselling author and New Yorker writer Adam Gopnik embarks on a wildly creative inquiry into perhaps the oldest question: how do we learn a new skill?

Yes, we'll always have Paris and who better to capture all its moods than the inimitable Elliott Erwitt? With a keen eye for the real city, Erwitt sees beyond the tourist cliches. Whether the mightiest of monuments or the charm of la vie quotidienne this master photographer chronicles it all. Alternating intimate details with grand vistas, Erwitt captures the true flavor of la metropole. Born in Paris in 1928, Elliott Erwitt arrived in the U.S. in the late 1930s. Establishing himself in the '40s and '50s as a leading magazine photographer, he joined the prestigious Magnum agency in 1953. In addition to his work in magazines, he achieved great success as an advertising photographer and filmmaker. He currently lives in New York City--but spends a great deal of time in Paris.

Armed with hundreds of blank maps she had painstakingly printed by hand, Becky Cooper walked Manhattan from end to end. Along her journey she met police officers, homeless people, fashion models, and senior citizens who had lived in Manhattan all their lives. She asked the strangers to “map their Manhattan” and to mail the personalized maps back to her. Soon, her P.O. box was filled with a cartography of intimate narratives: past loves, lost homes, childhood memories, comical moments, and surprising confessions. A beautifully illustrated, PostSecret-style tribute to New York, Mapping Manhattan includes 75 maps from both anonymous mapmakers and notable New Yorkers, including Man on Wire aerialist Philippe Petit, New York Times wine critic Eric Asimov, Tony award-winning actor Harvey Fierstein, and many more.Praise for Mapping Manhattan:“What an intriguing project.”—The New York Times“A tender cartographic love letter to this timeless city of multiple dimensions, parallel realities, and perpendicular views.” —Brain Pickings“Cooper’s beautiful project linking the lives of New Yorkers is one that will continue to grow.” —Publishers Weekly online

Sidney Joseph Perelman, a uniquely original and humorous voice in American literature, crafted gags for the Marx Brothers, won an Oscar for screenwriting, and collaborated on five Broadway plays. His distinctive humor shines in the sketches and satires he wrote for The New Yorker and other publications, which editor Adam Gopnik describes as exploring "American vulgarity" in a shocking yet entertaining manner. This collection features parodies, social satires, autobiographical pieces, and selections from the "Cloudland Revisited" series, where Perelman reflects on his youthful encounters with books and movies and the surprises of revisiting them as an adult. In "Scenario," he presents a surreal Hollywood pitch meeting, blending clichés and slang into a continuous paragraph. "Farewell, My Lovely Appetizer" humorously critiques Raymond Chandler's hardboiled detective fiction, while "No Starch in My Dhoti, S'il Vous Plaît" imagines a comical correspondence between Jawaharlal Nehru's father and a Parisian launderer. The volume also includes Perelman's two-act comedy, The Beauty Part, a spoof on money and art that premiered in 1962. Rounding out the collection are profiles of the Marx Brothers, Dorothy Parker, and Nathanael West, along with letters to notable figures like Edmund Wilson and Groucho Marx.

An impassioned defense of the freedom of speech, from Stéphane Charbonnier, a journalist murdered for his convictions On January 7, 2015, two gunmen stormed the offices of the French satirical newspaper Charlie Hebdo. They took the lives of twelve men and women, but they called for one man by name: "Charb." Known by his pen name, Stéphane Charbonnier was editor in chief of Charlie Hebdo, an outspoken critic of religious fundamentalism, and a renowned political cartoonist in his own right. In the past, he had received death threats and had even earned a place on Al Qaeda's "Most Wanted List." On January 7 it seemed that Charb's enemies had finally succeeded in silencing him. But in a twist of fate befitting Charb's defiant nature, it was soon revealed that he had finished a book just two days before his murder on the very issues at the heart of the attacks: blasphemy, Islamophobia, and the necessary courage of satirists. Here, published for the first time in English, is Charb's final work. A searing criticism of hypocrisy and racism, and a rousing, eloquent defense of free speech, Open Letter shows Charb's words to be as powerful and provocative as his art. This is an essential book about race, religion, the voice of ethnic minorities and majorities in a pluralistic society, and above all, the right to free expression and the surprising challenges being leveled at it in our fraught and dangerous time.

The New York Times-bestselling author offers a stirring defence of liberalism against the dogmatisms of our time

In a series of essays, the author reflects on his family's transition from Paris to New York in fall 2000, capturing the essence of their new urban life. He profiles a diverse cast of characters, including teachers, therapists, and friends, who shape their experiences. The narrative delves into the aftermath of 9/11, the complexities of real estate, and broader philosophical themes about the meaning of life, offering a poignant exploration of community and change in a post-traumatic city.