Iain Sinclair is een Britse schrijver en filmmaker wiens werken diep geworteld zijn in Londen en de praktijk van psychogeografie. Zijn vroege output omvatte poëzie en experimentele proza, vaak een mix van essay, fictie en vers. Later verwierf hij bredere erkenning voor zijn non-fictiewerken die zich verdiepen in de structuur van Londen en zijn verborgen geschiedenissen. Sinclair's kenmerkende stijl wordt gekenmerkt door nauwgezette observatie, literaire recuperatie en een unieke verkenning van het stedelijk landschap.
Roland Camberton's second novel, first published in 1951, is a coming of age portrayal of 'down Hackney', home of David Hirsch, who steadily leaves behind his Jewish upbringing in adolescence to explore the wider world of London. Typically there is a wide array of humorous characters in his portrayal of Hackney and the more cosmopolitan world Hirsch is drawn towards.
The final chapter in Sinclair's life-long odyssey through the streets of the Big Smoke
David Rodinsky lived above a synagogue in the heart of the old Jewish East End of London, and sometime in the late 1960s he disappeared. His room, a chaos of writings, annotated books and maps, gramophone records and clothes, was left undisturbed for 20 years. Rodinsky's world captured the imagination of a young artist, Rachel Lichtenstein, whose grandparents had escaped Poland in the 30s, and over a period of years she began to document the bizarre collection of artifacts that were found in his room, and make installations using images from his enigmatic bequest. She became obsessed with this mysterious Who was he? Where did he come from? Where did he go? Now Lichtenstein and Iain Sinclair have written an extraordinary book that weaves together Lichenstein's quest for Rodinsky. Part mystery story, part memoir, part travelogue, Rodinsky's Room is a testament to a world that has all but vanished and the celebration of the life of a unique man.
A journey through time and space, grappling with the ghosts of empireA New Statesman Book of the Year, 2021‘Follow Iain Sinclair into the cloud jungles of Peru and emerge questioning all that seemed so solid and immutable.’ Barry MilesFrom the award-winning author of The Last London and Lights Out for the Territory , a journey in the footsteps of our ancestors.Iain Sinclair and his daughter travel through Peru, guided by – and in reaction to – an ill-fated colonial expedition led by his great-grandfather. The family history of a displaced Scottish highlander fades into the brutal reality of a major land grab. The historic thirst for gold and the establishment of sprawling coffee plantations leave terrible wounds on virgin territory.In Sinclair’s haunting prose, no place escapes its past, and nor can we.‘ The Gold Machine is a trip, a psychoactive expedition in compelling company.’ TLS
Encircling London like a noose, the M25 is a road to nowhere, but when Iain Sinclair sets out to walk this asphalt loop - keeping within the 'acoustic footprints' - he is determined to find out where the journey will lead him. Stumbling upon converted asylums, industrial and retail parks, ring-fenced government institutions and lost villages, Sinclair discovers a Britain of the fringes, a landscape consumed by developers. London Orbital charts this extraordinary trek and round trip of the soul, revealing the country as you've never seen it before
Once an Arcadian suburb of grand houses, orchards and conservatories, Hackney declined into a zone of asylums, hospitals and dirty industry. Persistently revived, reinvented, betrayed, it has become a symbol of inner-city chaos, crime and poverty. Now, the Olympics, a final attempt to clamp down on a renegade spirit, seeks to complete the process: erasure disguised as �progress�. In this �documentary fiction�, Sinclair meets a cast of the dispossessed, including writers, photographers, bomb-makers and market traders. Legends of tunnels, Hollow Earth theories and the notorious Mole Man are unearthed. He uncovers traces of those who passed through Hackney: Lenin and Stalin, novelists Joseph Conrad and Samuel Richardson, film-makers Orson Welles and Jean-Luc Godard, Tony Blair beginning his political career, even a Baader-Meinhof urban guerrilla on the run. And he tells his own story: of forty years in one house in Hackney, of marriage, children, strange encounters, deaths.
The Thames may still flow through the heart of London, but life along its shores has dramatically changed. DOWNRIVER is a savage, satirical quest to understand how people's lives, a government's policies, and a legendary urban waterland conspire together in a boggling display of self-destruction.
In this book, which includes a new interview with Ballard who wrote the book on which the film was based, Sinclair explores the temporal loop which connects film and novel, and asks questions such as to what extent is Crash a premonition of some of the more remarkable media events of recent times. In the BFI MODERN CLASSICS series.
Iain Sinclair has been documenting the peculiar magic of the river-city that absorbs and obsesses him for most of his adult life. In The Last London, he strikes out on a series of solitary walks and collaborative expeditions to make a final reckoning with a capital stretched beyond recognition. Here is a mesmerising record of secret scholars and whispering ghosts. Of disturbing encounters. Night hospitals. Pits that become cameras. Mole Man labyrinths. And privileged swimming pools, up in clouds, patrolled by surveillance helicopters. Where now are the myths, the ultimate fictions of a many times revised city? Travelling from the pinnacle of the Shard to the outer limits of the London Overground system at Croydon and Barking, from the Thames Estuary to the future ruins of Olympicopolis, Sinclair reflects on where London begins and where it ends. A memoir, a critique and a love letter, The Last London stands as a delirious conclusion to a truly epic project.
A novel about London - its past, its people, and its underbelly. It combines a spiritual inquest into the Whitechapel Ripper murders and the dark side of the late Victorian imagination with a posse of seedy book dealers hot on the trail of obscure rarities of that period.
