Andrea Maria Schenkel Boeken

Bavaria, Germany, 1947. At the end of the war, Afra Zauner returns to her parents' cottage on the edge of Mauther Forest. Unmarried, and pregnant. As she struggles to raise her child, her father's shame, her mother's fury and the loud whispers of the neighbours begin to weigh upon her. She doesn't believe in her sin. But everyone else does. And someone brings judgement down upon her. Many years later, Hermann Müller is throwing a drunk out of his tavern. A traveller, who won't stop ranting about a murder left unsolved, about police who never investigated. Out of curiousity, the file is reopened. And in the cold light of hindsight, a chilling realisation creeps upon the community. No-one ever atoned for Afra's death. But her story is waiting to be told. Andrea Maria Schenkel returns to the form of her groundbreaking The Murder Farm, narrating through suspects, victims and investigators to lead the reader to their own awful understanding.

The Times Literary Supplement said of The Murder Farm, "With only a limited number of ways in which violent death can be investigated, crime writers have to use considerable ingenuity to bring anything fresh to the genre. Andrea Maria Schenkel has done it in her first novel." The first author to achieve a consecutive win of the German Crime Prize, Schenkel has won first place for both The Murder Farm and Ice Cold. The Murder Farm begins with a shock: a whole family has been murdered with a pickaxe. They were old Danner the farmer, an overbearing patriarch; his put-upon devoutly religious wife; and their daughter Barbara Spangler, whose husband Vincenz left her after fathering her daughter little Marianne. She also had a son, two-year-old Josef, the result of her affair with local farmer Georg Hauer after his wife's death from cancer. Hauer himself claimed paternity. Also murdered was the Danners' maidservant, Marie. An unconventional detective story, The Murder Farm is an exciting blend of eyewitness account, third-person narrative, pious diatribes, and incomplete case file that will keep readers guessing. When we leave the narrator, not even he knows the truth, and only the reader is able to reach the shattering conclusion.

Munich, in the late thirties, the first years of fascism - the last before the war: Kathie is desperate to leave her sheltered village life and sets out for the city, determined that she'll get by, one way or another. She is dark-haired, buxom and pretty, like the women who recently disappeared without a trace. Young women are being found around Munich, abused and murdered. Josef Kalteis has been arrested, but is he really responsible for all those misdeeds? Did they execute the wrong one while the murderer is still on the loose? Spellbound by the magnetizing story of the dead women, the reader follows young Kathie. Somewhere in between her naive search for luck and existential concerns, occasional prostitution and the desire for true love, she is in grave danger. Andrea Maria Schenkel has again created a novel based on real events, in which the story is told through several voices and documentation, including interrogation logs, witness statements and the dark thoughts within the murderer's mind.

After a normal day at work and as she is ready to head for home, Monika is bundled into a car, taken to an old mill and flung into a bunker. When she sees her attacker, she notices the starling resemblance to someone from her very dark and buried past. Was this a robbery gone wrong? Or has Hans returned for revenge?

Munich, 1938. Le petit Carl Schwarz doit quitter l'Allemagne avec ses parents et sa soeur. Sa mère est catholique, mais le pays est devenu trop dangereux pour son père juif. La famille déniche des billets de bateau pour Shanghai via Gênes, mais au dernier moment le père décide de rester à quai. Lui qui a défendu son pays dans les tranchées de la Première Guerre mondiale ne peut pas croire que l'Allemagne s'en prenne à sa personne. Au même moment, une jeune fille tombée enceinte d'un soldat sans être mariée est envoyée chez sa tante, faiseuse d'anges ; celle-ci s'occupe d'elle et la recueille. Une femme du monde qui a eu plusieurs fois recours à ses services vient lui demander une nouvelle fois son aide. Mais à présent, elle voudrait adopter un nourrisson - c'est à cette seule condition que Himmler lui accordera le droit d'épouser l'homme avec qui elle vit. En 2010, aux Etats-Unis, Carl Schwarz coule une retraite paisible avec Emmi, la femme qui partage son existence depuis plus de soixante ans. Un après-midi, le téléphone sonne. Un homme, mandaté par le musée de l'Holocauste, aimerait lui poser des questions. Soudain tout le passé resurgit... Saga du plus haut romanesque, Le Bracelet verse une lumière bouleversante sur l'une des périodes les plus sombres de notre histoire.

»Je schlechter der Mensch, desto größer das Glück.« Landshut 1922: Die Musiklehrerin Clara Ganslmeier und ihre Mutter wurden in ihrer Wohnung ermordet, ihr Schmuck ist gestohlen. Die polizeilichen Ermittlungen und Aussagen diverser Zeugen führen rasch auf die Spur von Hubert Täuscher, dem Verlobten von Clara Ganslmeier. Die Indizien scheinen erdrückend und er wird trotz seiner Unschuldsbeteuerungen schuldig gesprochen, das Todesurteil vollstreckt. Aber hat er tatsächlich den Mord begangen?

In Sebastian Fitzeks Geschichte geht eine von der Weihnachtshektik gestresste Mutter einem Mörder in die Falle. Jan Costin Wagner erzählt von einem ganz normalen Familienvater, der plötzlich in einen Abgrund blickt. Elisabeth Herrmann nimmt uns mit zu einer Toten unter dem Eis. Heinrich Steinfest erzählt, was passieren kann, wenn eine einsame Frau Weihnachten mit einem Fremden verbringt. Und in Andrea Maria Schenkels Erzählung kommt es im tief verschneiten Bayern während der Christmette zu einem grausamen Mord. Spannung pur für die Adventszeit!