Charlotte Perkins Gilman Boeken

Oorspr.titel en uitg. Herland 1915.

This collection features two previously unpublished Gothic stories, 'The Unwatched Door' and 'Clifford's Tower,' alongside all of Charlotte Perkins Gilman's gothic tales and poetry. It offers a unique glimpse into her literary contributions, showcasing themes of the supernatural and psychological depth. Although it presents a different cover, the contents mirror those of the Complete Gothic Collection edited by Aric Cushing, making it a valuable addition for fans of Gilman's work and Gothic literature.

Exploring themes of personal transformation and political change, this collection features "The Yellow Wallpaper" alongside nine other significant stories by notable American women authors. First published in 1892, Gilman's work serves as both a landmark in women's fiction and a feminist manifesto. The anthology showcases the diverse voices of women writers who have made a profound impact through their storytelling, emphasizing the transformative power of imagination in literature.

Prominent American author, lecturer, and social reformer Charlotte Perkins Gilman (1860–1935) is best known for her 1898 treatise Women and Economics, which ascribed gender inequality to women’s economic dependence upon men, and for her 1892 short story “The Yellow Wall-Paper,” which depicts a woman’s descent into madness. However, she began her career as a poet. Her first authored book, a collection of verse entitled In This Our World, was issued in four different editions between 1893 and 1898. While virtually all of Gilman’s later poems appeared in her monthly magazine, The Forerunner (1909–16), or in The Later Poetry of Charlotte Perkins Gilman (1996), Gilman’s early verse has been largely inaccessible to modern readers, and dozens of her poems have never been collected. This volume, coedited by Scharnhorst and Knight, includes all 149 poems in the 1898 edition of In This Our World as well as 112 vagrant poems that appeared in a variety of newspapers and magazines. This critical volume features a comprehensive introduction and extensive notes. Gilman devotees and a new generation of readers will find this edition an indispensable resource.

This edition showcases the influential feminist fiction of a nineteenth-century pioneer, highlighting her innovative narratives that challenged societal norms. It offers a comprehensive look at her work, providing insights into her themes of gender equality and empowerment. Readers can explore the historical context and the impact of her writings on both literature and feminist movements, making it a significant contribution to the understanding of women's roles in literature during that era.

A story of a nameless woman driven mad by enforced confinement after the birth of her child. Ordered to a yellow bedroom to rest and 'pull herself together', here slowly but surely, the tortuous pattern of the wallpaper winds its way into the recesses of her mind.

Exploring the social and economic aspects of motherhood, the book delves into how the upbringing of children can transform American society. Gilman challenges conventional views, advocating for the betterment of society through thoughtful child development. Her innovative ideas prompt readers to reconsider the role of mothers and the impact of nurturing on future generations.

A prominent figure in feminist literature, Charlotte Perkins Gilman is celebrated for her advocacy of social reform and her unorthodox lifestyle. Her semi-autobiographical short story, "The Yellow Wallpaper," reflects her personal struggles with postpartum psychosis and serves as a powerful critique of the treatment of women. Gilman's contributions to humanism and feminism have made her a role model for future generations, earning her a place in the National Women's Hall of Fame.

Exploring themes of mental health and gender inequality, the narrative follows a young woman suffering from postpartum depression, confined to a room as part of a misguided "rest cure." Her obsession with the room's yellow wallpaper symbolizes her struggle against societal constraints and personal entrapment. As she descends into madness, she perceives herself and other women as trapped within the wallpaper's chaotic patterns. The story serves as a powerful critique of the oppressive norms of the late 19th century, reflecting Gilman's own experiences and advocating for female emancipation.

This new collection of short stories highlights work of early Feminist Charlotte Gilman as an editor, activist and writer. She focused on how women were not just stay-at-home mothers they were expected to be, but people who had dreams, able to travel and work as men did, and whose goals included a society where women were just as important as men.