Vicente Huidobro Volgorde van de boeken

Exploring the themes of artistic creation and reality, the novel follows Bernardo Saguen, a troubled writer grappling with mental illness and moral decline. As he descends into paranoia and schizophrenia, his unreliable narration raises questions about truth and perception. Written during a period of uncertainty for Huidobro, this final prose work reflects his literary, social, and philosophical concerns, intertwining his personal struggles with broader existential inquiries. The narrative culminates in a haunting ambiguity, leaving readers to ponder the nature of reality and sanity.

The collection features a blend of essays, aphorisms, and observations reflecting the author's experiences and insights gained during years spent in Europe. Published in 1926 in Santiago, it showcases Huidobro's unique perspective and literary style, offering readers a thought-provoking exploration of various themes and ideas.

Exploring Vicente Huidobro's innovative concept of "Creationism," this bilingual edition presents his revolutionary ideas on imagination's universality, free from conventional meanings. The collection features acclaimed English translations by Jonathan Simkins alongside the original Spanish texts, highlighting Huidobro's significant impact on poetry and art. With a foreword by Leo Lobos, this work underscores the poet's visionary approach in a rapidly changing world, making it essential for understanding the interplay between language, creativity, and human experience.

Adán marks Huidobro's transition to free verse, showcasing his early maturity as a poet. The work retains elements of his prior symbolist style, influenced by Rubén Darío, while exploring innovative poetic forms. This collection reflects Huidobro's struggle to break away from his past influences, signaling the beginning of his evolution as a modernist writer.

The book showcases two early French poetry collections by Huidobro, published in 1925, which reflect his engagement with Dada and Surrealism. These works, though not pivotal in his poetic evolution, reveal his experimentation before achieving his mature style in Spanish. The volume includes the complete texts of the original editions alongside all known Spanish translations by Huidobro, offering a comprehensive view of his formative artistic journey and the influences that shaped his later, more transcendent poetry.

In 1925, Huidobro's collection of manifestos emerged as a strategic response to the rising Surrealist movement and critiques from a rival Spanish critic. This pivotal year marked Huidobro's exploration of new artistic directions while he sought to reinforce his place in the avant-garde. The manifestos reflect a blend of seriousness and irony, particularly as they coexist with Surrealist texts that critique the very movement. Following this period, Huidobro produced significant works like Altazor and Temblor de cielo, showcasing his evolution and maturity as a poet.

Exploring themes of love, sex, and death, this 1928 work showcases an ecstatic outpouring of words that reflect a more unified style compared to its contemporaries. Addressed to an idealized feminine figure, it blends elements of mythology and personal experience, particularly drawing inspiration from Wagner's Isolde and the poet's second wife. This poem signifies a pivotal transition in Huidobro's writing, evolving from his earlier avant-garde approach to a more mature, surrealist-influenced style.

Set in 1928, this novel reimagines the Cid legend through a modern lens, moving away from 19th-century romanticism to embrace cinematic influences. It presents a straightforward adventure tale that parallels the 1961 film starring Charlton Heston and Sophia Loren, with some lines echoing Huidobro's text. The reprint features the original version with minor edits, a new afterword, and a glossary to clarify historical and legendary figures from Old Spain, enhancing the reading experience for contemporary audiences.

The book features a collection of works by Huidobro, showcasing his literary evolution during the early 20th century. Published between 1916 and 1918, these pieces include poetry in both Spanish and French, reflecting his innovative style and exploration of themes related to nature and the human experience. Notable titles such as Horizon carré and Tour Eiffel highlight his engagement with modernism and his connection to Parisian and Spanish literary scenes.

The collection features four chapbooks by Huidobro, showcasing a blend of linguistic and stylistic experimentation. El espejo de agua, originally written in Spanish, precedes the French works Hallali and Tour Eiffel, which significantly influenced the Spanish avant-garde movement. The chapbooks span a period from 1914 to 1918, reflecting Huidobro's innovative approach to poetry. This volume also connects to his other works, Horizon carré and Poemas árticos, which have been previously translated, enriching the understanding of his literary contributions.