Iain McCalman Boeken

Charles Darwin, HMS Beagle, 1831-36 Sent to Cambridge to join the clergy, the young Darwin emerged with a passion for naturalism and an invitation to sail on a naval survey vessel to South America, New Zealand and Australia. That journey would change his life, and the course of modern science. Joseph Hooker, HMS Erebus, 1839-43 Inspired by Darwin's Voyage of the Beagle, assistant-surgeon Hooker undertook his own dramatic voyage of exploration, from the Cook Islands to the Antarctic via the high society of Hobart. His botanical research added critical evidence ti Darwin's developing ideas on evolution, and he became Darwin's closest ally. Thomas Huxley, HMS Rattlesnake, 1846-50 'Darwin's Bulldog' would become evolution's most effective champion against the clergy (coining the term agnostic'). As a brilliant, ascerbic young man, Huxley was determined to make his name through discoveries in marine biology in the Southern Hemisphere - but his most improbable discovery was that in Sydney he fell in love. Alfred Wallace, the Amazon and South-East Asia, 1848-66 The least celebrated but perhaps the most brilliant of the four. During his many years in remote jungles as a professional specimen collector, the largely self-educated Wallace arrived independently at a theory of evolution by natural selection. He sent his idea to Darwin, precipitating a dramatic moral crisis and the writing of On the Origin of Species. Darwin's Armanda is both a gripping adventure story and a brilliantly enlightening work of history, for the first time portraying the Darwinian revolution as a collective enterprise forged in Australasia. These four remarkable men did what one alone could not - combed the world for evidence of evolution by natural selection, and then fought tirelessly in the social and intellectual battle that followed its famous publication 150 years ago. Together they changed the world. Reviews: 'This is a wondrous story told by the most of eloquent of story-tellers. Iain McCalman has all the gifts: he unearths buried threads; distills complex thought, ambition, emotion and pure chance; tempers wit and irony with wonder; finds drama in profound ideas.' - Don Watson 'What a fine book this is! Deeply researched, skilfully constructed and written with engaging flair. It provides us with a memorable and often moving account of the greatest scientific achievements and momentous controversies of the nineteenth century.' - Henry Reynolds 'Darwin's Armada is a splendid achievement. Iain McCalman combines fine scholarship with enchanting narrative, the prose taut and vivid as he charts the course of the captain and his lieutenants toward the theory of evolution. Original in perspective, powerful in form, delightful in the reading.' - Peter Cochrane 'A fabulous account of the intertwined sea voyages which launched Darwinism. Like few other historians, but much like Charles Darwin himself, Iain McCalman has that happy combination of talents - rigorous accuracy, gleeful irreverence and narrative flair - which turns fact into something better than fiction.' - John Collee, scriptwriter, Master and Commander 'Our understanding of the origins of evolutionary theory itself evolves. Here is a fresh, lively account not just of Darwin but of a scientific cell, four men bound together by their discoveries in the southern hemisphere and their shared experience of life at sea.' - John Hirst 'Reads as a combination of Boy's Own travellers' tales stretching from the Amazon to Antarctica, and a scientific adventure story as racy as any historical novel.' The Guardian 'An extraor

Guiseppe Balsamo, the Count of Cagliostro, was an 18th-century Sicilian who became a magician, mystic, healer, Freemason, swindler, and last, but not least, a pornographer. He was so controversial, he became a central figure in Faust and the Magic Flute. This work features his story that is told through the eyes of seven of his contemporaries.

Exploring the evolution of visual entertainment since the late 1700s, this book delves into reenactment as a dominant form of popular history. It examines the challenges of defining reenactment and its boundaries, while also addressing the interplay between realism and emotional impact. Through this analysis, it sheds light on how reenactment shapes our understanding of history and nature.

A team of prominent historians and curators have produced this innovative cultural history of gold and its impact on the development of Australian society. Throughout history, gold has been the "stuff" of legends, fortunes, conflict and change. The discovery of gold in Australia 150 years ago precipitated enormous developments in the newly settled land. The population and economy boomed in spontaneous cities. The effects on both the environment and indigenous Aboriginal peoples have been profound and lasting.

Voltaire, Rousseau, Hume, Adam Smith y tantos otros filósofos famosos, nos han habituado a asociar el siglo XVIII con la idea de «razón», pero la verdad es que fue también un tiempo de magia, misterio y confusión en el que florecieron nigromantes, profetas, herejes y masones, como el siciliano Giuseppe Balsamo, más conocido como conde Alessandro Di Cagliostro. La vida del conde de Cagliostro es misteriosa y fascinante: tenido por unos como un santo laico, que curaba a los enfermos y socorría a los pobres y, por otros, como un peligroso barbián cuyas ideas ponían en peligro los fundamentos mismos de la monarquía y el papado, Cagliostro fue sin discusión una de las figuras más extraordinarias de la segunda mitad del siglo XVIII. Amado y odiado por la aristocracia europea, se codeó con Casanova, Catalina la Grande, Goethe, Luis XVI y María Antonieta, así como con el papa Pío VI quien lo entregaría a la Inquisición para morir en sus cárceles en 1795. Su historia y su leyenda, que inspiró a Johann Strauss una opereta, y a Mozart un personaje de La flauta mágica, han llegado a nuestros días sin ponerse de acuerdo: para Umberto Eco, Cagliostro no es tanto un hombre del siglo XVIII como un «posmoderno» actual, un profeta new age, uno de esos telepredicadores que se ceban en la indigencia psicológica y en el desconcierto moral, pero para Walter Benjamin, Cagliostro es un titán de la cultura occidental, un mesías underground, el auténtico y último alquimista, un fantasma del irracionalismo que aterra a los fetichistas de la razón. Pero ¿quién fue verdaderamente el conde Cagliostro?

Strhující kniha australského historika, odborníka na 18. století, vypráví o osudu jedné z nejpozoruhodnějších postav té doby: alchymisty, léčitele, spiritisty, zednáře a „nesmrtelného Velkého Kopta“, Giuseppeho Balsama alias hraběte Cagliostra. Na pozadí takřka neuvěřitelných životních příběhů tohoto muže, jenž prošel Evropou od Palerma po Londýn a od Petrohradu po Lisabon, se před čtenářem odhaluje druhá tvář „věku rozumu“ s jeho zednářskými lóžemi, až dětinskou vírou ve všemocný svět duchů a magických sil, sexuální posedlostí i chorobným intrikařením. Autor Iain McCalman tak znovu poodkrývá, co na Cagliostrovi tolik fascinovalo jeho současníky a též umělce, jako byl Mozart či A. Dumas, kteří se postavou tohoto dobrodruha nechali inspirovat.