Larry Tremblay Boeken

War takes no prisoners. It involves everyone - even children. Twin brothers, Amed and Aziz, live in the peaceful shade of their family's orange grove. But when a bomb kills the boys' grandparents, they become pawns in their country's civil war.

Featuring a ventriloquist and his puppet, this performance explores the creation of diverse characters through skillful manipulation and storytelling. With a cast comprising two women and two men, the narrative delves into the complexities of identity and interaction, showcasing the art of ventriloquism as a means of expression and connection. The interplay between the ventriloquist and his puppet invites audiences to reflect on the nature of performance and the characters we embody in our lives.

The story revolves around a renowned director who, despite his intimidating reputation, enlists two actors to perform a dramatic re-enactment of Abraham Lincoln's assassination. With a minimal cast of three men, the narrative explores themes of power, performance, and the complexities of historical representation, delving into the characters' motivations and the impact of their roles on both themselves and the audience.

The collection features four compelling solo performances by Tremblay, showcasing his talent for deep character exploration and emotional storytelling. "A Trick of Fate" delves into the complexities of chance and choice, while "Anatomy Lesson" offers a poignant reflection on life and mortality. "The Dragonfly of Chicoutimi" intertwines personal history with broader themes of identity, and "Ogre" confronts the darker aspects of human nature. Together, these works highlight Tremblay's mastery in capturing the human experience on stage.

An existential thriller delves into the complexities of love, intertwining philosophical inquiries with a unique narrative structure reminiscent of Russian dolls. The story features self-referential loops that challenge the reader's perception, while also reflecting on the nature of the literary medium itself. This innovative approach offers a thought-provoking exploration of love's purity amidst a layered and intricate storytelling style.

In a comic, surrealist narrative, photographer Christophe Langelier undergoes a transformative journey driven by his intense desires. The story explores themes of metamorphosis and the absurdity of longing, blending humor with a unique perspective on human emotions and experiences. Through Langelier's adventures, the novel delves into the complexities of desire and the unexpected changes it can bring.

The author shares a personal journey of managing Functional Digestive Disorders (FDDs) such as dyspepsia and IBS through a series of internal exercises. While acknowledging that a complete cure may not be possible, the book emphasizes the effectiveness of these exercises in alleviating symptoms and improving quality of life. The author's hope is to provide relief to others dealing with similar issues, whether they choose to use medication or not.

Three tales spin a web of suspense, impending violence and tragedy that haunt the sleek façade of a city.

Samuel ne sait rien de la femme qu'il va épouser. Depuis des années, son père n'a ménagé aucun effort pour rendre son fils attirant, pour l'engraisser comme une volaille en vue du grand jour. La famille se réjouit, Madame est riche et les problèmes financiers se régleront bientôt. Samuel doit simplement se donner du temps pour l'aimer. Sur l'île où habite Samuel, l'homme obéit à sa femme. Gare à celui qui tente de s'émanciper, car des vigiles armés surveillent les rues. Marié, il devra satisfaire les désirs de Madame et se taire. Que peut un homme facilement remplaçable dans un monde où les femmes dominent toutes les sphères de la société ? Avec toute la finesse et l'audace qui caractérisent son oeuvre, l'auteur de L'orangeraie nous livre une fable romanesque, miroir déformant qui ébranle nos préjugés et nos aveuglements volontaires, traversée par la question brûlante de la domination des sexes

Der Protagonist des Romans, Edgar, wird unweit des Grabes seiner Mutter Zeuge eines Verbrechens. Vier „apokalyptische Reiter“ schänden auf einem Friedhof eine junge Frau. Der leidende Mensch, der sich später als ein Mann entpuppt und den Edgar fortan Jean nennt, wird von ihm gesund gepflegt und schließlich in einer beinahe bewusstlosen, orgienhaften Obsession gefüttert, gemästet und in seiner Wohnung festgehalten. In diesem außergewöhnlichen, düsteren Roman erleben wir Leser eine christliche Verehrung der ungewöhnlichsten Art. Der Roman ist auch eine Auseinandersetzung mit der Figur des Erlösers und dem Katholizismus, der Québec lange Zeit stark geprägt hat. Eine in Teilen uns schaudern machende Lektüre, die einige Kritiker an Erzählungen von Edgar Allen Poe oder auch an Franz Kafka erinnern wollte.