Pang Laikwan Boeken

In 2014 after fighting through yards of bureaucratic red tape, leaving her family, and putting her own health at risk in order to help suffering strangers, Kwan Kew Lai finally arrived in Africa to volunteer as an infectious disease specialist in the heart of the largest Ebola outbreak in history. What she found was not only blistering heat, inadequate working conditions, and deadly, unrelenting illness, but hope, resilience, and incredible courage. Lest We Forget chronicles the harrowing and inspiring time spent serving on the front lines of the ongoing Ebola outbreak--the complicated personal protective equipment, the chlorine-scented air, the tropical heat, and the heartbreaking difficulties of treating patients she could not touch. Dr. Lai interweaves original diary entries to create a gripping narrative about life, death, and human relationships that will leave no reader unmoved. This book exposes the raw brutality of Ebola, as well as the chaotic nature of the undersupplied and understaffed health infrastructure in the developing world. At once a memoir of triumphs and failures and a memorial, this book will ensure that the victims of Ebola and the fighters who sought to heal them will not be forgotten.

Cultural production under Mao, and how artists and thinkers found autonomy in a culture of conformity

Cultural production under Mao, and how artists and thinkers found autonomy in a culture of conformity In the 1950s, a French journalist joked that the Chinese were “blue ants under the red flag,” dressing identically and even moving in concert like robots. When the Cultural Revolution officially began, this uniformity seemed to extend to the mind. From the outside, China had become a monotonous world, a place of endless repetition and imitation, but a closer look reveals a range of cultural experiences, which also provided individuals with an obscure sense of freedom. In The Art of Cloning, Pang Laikwan examines this period in Chinese history when ordinary citizens read widely, traveled extensively through the country, and engaged in a range of cultural and artistic activities. The freedom they experienced, argues Pang, differs from the freedom, under Western capitalism, to express individuality through a range of consumer products. But it was far from boring and was possessed of its own kind of diversity.