D. J. Taylor Boeken

A fascinating exploration of George Orwell—and his body of work—by an award-winning Orwellian biographer and scholar, presenting the author anew to twenty-first-century readers. We find ourselves in an era when the moment is ripe for a reevaluation of the life and the works of one of the twentieth century’s greatest authors. This is the first twenty-first-century biography on George Orwell, with special recognition to D. J. Taylor's stature as an award-winning biographer and Orwellian. Using new sources that are now available for the first time, we are tantalizingly at the end of the lifespan of Orwell's last few contemporaries, whose final reflections are caught in this book. The way we look at a writer and his canon has changed even over the course of the last two decades; there is a post-millennial prism through which we must now look for such a biography to be fresh and relevant. This is what Orwell: The New Life achieves.

This is the third edition of the highly successful book, Biological Science. The text has been revised and updated to provide comprehensive coverage of the latest syllabuses. New material has been added in the following areas: human health and disease, microbiology and biotechnology, and the applications of genetics. Questions and practical work permeate the text and useful appendices are included covering biological chemistry, biological techniques and statistics. Biological Science is available as two soft cover volumes and as a combined volume hardback.

Alice Vavasor grapples with her feelings for two suitors in this exploration of love and societal expectations within Victorian society. The narrative also delves into the experiences of two other independent women, showcasing their struggles and choices. Enhanced by an introduction and notes, this edition illuminates the tensions of the era, providing a deeper understanding of the characters' dilemmas and the societal norms they navigate.

Over seventy years since his premature death, George Orwell (1903-50) has become one of the most significant figures in western literature. His two dystopian masterpieces, Animal Farm (1945) and Nineteen Eighty-Four (1949) have together sold over 40 million copies. Even now, he continues to exert a decisive influence on our understanding of international power-politics.D.J. Taylor's new biography, the first full-length study for 20 years, draws on a wide range of previously unseen material - newly-discovered letters to old girlfriends and professional colleagues, the recollections of the dwindling band of people who remember him, new information about his life in the early 1930s - to produce a definitive portrait of this complex, driven and self-mythologising man.

Glamorous Alice Keach is one of 1930s London's foremost hostesses. Despite humble American origins, she has secured her place in high society through marriage to one of England's wealthiest bachelors. But Alice has a secret. Its roots run years back, and miles away, to the dust-blasted prairies of Kansas. It corncerns a lost little boy left under the haphazard guidance of an eccentric uncle. Now, a visit from America looks set to blow apart Alice's glittering pre-eminence forever.

Thackeray's biographer, D.J. Taylor, updates The Book of Snobs (1848) for the twenty-first century. Waspish, acute and very funny.

Between walking by the river and imbibing tasteless liquor at Dr Feelgood’s, a mice-infested emporium presided over by the dubious Mousookseem, David Castell is compiling his Notebooks. Though thwarted by Caro, who runs the house, buys the ink, and sullenly disapproves of his master’s activities, David perseveres, believing the past to be ‘an infinitely more agreeable subject for speculation than the future’. David’s notebooks glide between past and present, juxtaposing a number of settings: Oxford, where drunken eccentrics try to steer clear of sinister dons; East Anglia, where myth and legend are flourishing between the wide expanse of sky and field; and another, distant Eastern Land where oranges rot in the sun and the generator hums when Caro, idle or vengeful by turns, chooses to turn it on. All this is comic grist to the author’s mill. Through the musings of its erudite and pig-headed narrator, the novel becomes a cunning debate about the various ways – duped by our own imaginations – we take liberties with history, throwing artful, sidelong glances at the metaphysics of fiction, but not so as you would notice. As past and present collide – in unexpected ways – so the debate continues, as elusive as it is entertaining.