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Cedric Watts

    Cedric Watts, emeritus hoogleraar Engels aan de Sussex University, is een vooraanstaand geleerde wiens uitgebreide kritische en wetenschappelijke werken zich verdiepen in de complexiteit van literaire expressie. Zijn diepgaande betrokkenheid bij de literaire traditie blijkt met name uit zijn uitgebreide bewerking van de toneelstukken van Shakespeare. Watts' analytische benadering ontdekt de subtiele betekenislagen binnen teksten en biedt lezers verhelderende perspectieven op zowel klassieke werken als hedendaagse kwesties. Zijn eigen creatieve ondernemingen hebben opmerkelijke erkenning gekregen.

    Henry V, War Criminal?
    Romeo & Julia
    Everyman's Library Classics Series: Typhoon and Other Stories
    • Loose ends and red herrings are the stuff of detective fiction, and under the scrutiny of master sleuths John Sutherland and Cedric Watts Shakespeare's plays reveal themselves to be as full of mysteries as any Agatha Christie novel. Is it summer or winter in Elsinore? Do Bottom and Titania make love? Does Lady Macbeth faint, or is she just pretending? How does a man putrefy within minutes of his death? Is Cleopatra a deadbeat Mum? And why doesn't Juliet ask 'O Romeo Montague, wherefore art thou Montague?' As Watts and Sutherland explore these and other puzzles Shakespeare's genuius becomes ever more apparent. Speculative, critical, good-humoured and provocative, their discussions shed light on apparent anachronisms, performance and stagecraft, linguistics, Star Trek and much else. Shrewd and entertaining, these essays add a new dimension to the pleasure of reading or watching Shakespeare.

      Henry V, War Criminal?2000
      3,7
    • Romeo & Julia

      • 80bladzijden
      • 3 uur lezen

      Dit is het verhaal van een stad, twee families en twee geliefden, Romeo en Julia. Het verhaal is al heel oud en door allerlei mensen in verschillende landen en verschillende talen verteld. Sommigen hebben er een gedicht van gemaakt en anderen een prozaverhaal. Maar het is onder andere ook bewerkt in de vorm van liederen, een balletuitvoering en films. In London bracht William Shakespeare dit verhaal tot leven de jaren negentig van de zestiende eeuw.

      Romeo & Julia1992
      3,8
    • Joseph Conrad’s long experience as a working seaman enriched and deepened his literary gifts, making him the most brilliant and convincing writer of seafaring’s greatest age. In the three sea stories collected here, he makes deft use of the maritime setting to enact moral dramas of men tested by the elements and by one another. “The Nigger of the ‘Narcissus’” has been hailed as Conrad’s earliest masterpiece. When a West Indian sailor on board the merchant ship Narcissus falls ill his condition sparks conflict among the crew, which threatens to erupt in mutiny under the pressure of a terrifying gale. “Typhoon,” the gripping story of a steamship captain who stubbornly steers into a major tempest and the crew’s ensuing struggle to survive the raging waters, is distinguished by one of the most thrillingly evoked storms in all of literature. “The Shadow-Line” is a dramatically fictionalized account of Conrad’s first command as a young sea captain trapped aboard a becalmed, fever-wracked, and seemingly haunted ship—an ordeal that marks for him the “shadow-line” between youth and maturity. Suspenseful, atmospheric, and deceptively simple, this intense story reflects the complex themes of Conrad’s most famous novels, Lord Jim and Heart of Darkness . With an introduction by Martin Seymour-Smith

      Everyman's Library Classics Series: Typhoon and Other Stories1986
      4,0