Andrew Hunter Murray Boeken

"Andrew Hunter has looked with fresh eyes at [Colville's] paintings and made a coherent argument that Colville deserves to be understood far beyond the normal borders of the art world." Robert Fulford, "The National Post"This magnificent, best-selling volume is now available in a deluxe paper-bound edition. The original hardcover edition sold more than 15,000 copies."Colville" both honours the legacy of an iconic Canadian artist and explores the contemporary reverberations of his work. Colville was known for being his own man. His paintings depict an elusive tension, a deep sense of danger, capturing moments perpetually on the edge of the unknown. A painter, printmaker, and war artist who drew his inspiration from the world around him, Colville transformed the seemingly mundane events of everyday life into archetypes of the modern condition.In this beautifully designed volume, Andrew Hunter organizes "Colville" thematically, incorporating interludes that explore the relationship between Colville's work and the filmmaking of Wes Anderson, Stanley Kubrick, and Sarah Polley as well as his influence on writers such as Alice Munro and even cartoonist David Collier. The book is rounded out with more than 100 colour reproductions of Colville's paintings, spanning the entirety of his career, including "Horse and Train," 1953; "To Prince Edward Island," 1965; "Woman in Bathtub," 1973; and "Target Pistol and Man," 1980."

The Third Book of General Ignorance gathers together 180 questions, both new and previously featured on the BBC TV programme's popular 'General Ignorance' round, and show why, when it comes to general knowledge, none of us knows anything at all. Who invented the sandwich? What was the best thing before sliced bread? Who first ate frogs' legs? Which cat never changes its spots? What did Lady Godiva do? What can you legally do if you come across a Welshman in Chester after sunset?

"My parents were slaves in New York State. My master's sons-in-law ... came into the garden where my sister and I were playing among the currant bushes, tied their handkerchiefs over our mouths, carried us to a vessel, put us in the hold, and sailed up the river. I know not how far nor how long -- it was dark there all the time." These words, recorded by Benjamin Drew in 1855, provide Sophia Burthen's account of her arrival as an enslaved person into what is now Canada sometime in the late 18th century. In It Was Dark There All the Time, writer and curator Andrew Hunter builds on the testimony of Drew's interview to piece together Burthen's life, while reckoning with the legacy of whiteness and colonialism in the recording of her story. In so doing, Hunter demonstrates the role that the slave trade played in pre-Confederation Canada and its continuing impact on contemporary Canadian society. Evocatively written with sharp, incisive observations and illustrated with archival images and contemporary works of art, It Was Dark There All the Time offers a necessary correction to the prevailing perception of Canada as a place unsullied by slavery and its legacy.

"2059. The world has stopped turning. One half suffers an endless frozen night; the other, nothing but burning sun. Only in a slim twilit region can life survive. In an isolationist Britain, Ellen Hopper receives a letter from a dying man. It contains a powerful and dangerous secret. One that those in power will kill to conceal..."--Publisher