Nicolas Slonimsky Boeken

Rev. ed. of: Biographical dictionary of musicians. 5th ed. 1958

Nicolas Slonimsky's extensive career in music spanned over a century, during which he taught, conducted, and composed while also writing influential articles on contemporary musicians. After moving to the United States in 1926, he developed a rich archive of writings, including reviews and unpublished manuscripts. This second volume in a four-part collection showcases his most significant works, reflecting his unique insights and connections within the music world.

A sharp critique of renowned composers and their works from the 19th and 20th centuries, this book poses provocative questions that challenge conventional perceptions of classical music. Readers are invited to explore humorous and scathing insights, uncovering the absurdities and eccentricities of famous pieces and their creators. With a unique blend of wit and analysis, the text includes an "Invecticon" for readers to decode the playful invectives and discover the full context behind each pointed remark, making it both entertaining and thought-provoking.

2023 Reprint of 1947 Edition. A comprehensive reference book of scales and melodic patterns, arranged in the form of piano scales and melodic studies, but adaptable for all instruments. Since its publication in 1947, great musicians and composers of all genres - from Arnold Schoenberg and Virgil Thomson to John Coltrane and Freddie Hubbard - have sworn by this legendary volume and its comprehensive vocabulary of melodic patterns for composition and improvisation.

This book, first published in 2004, is part of the Routledge imprint under Taylor & Francis. It explores significant themes and concepts relevant to its field, offering insights and analyses that contribute to the understanding of the subject matter. The publication is aimed at scholars and students, providing a valuable resource for academic study and research.

Nicolas Slonimsky, a prominent figure in 20th-century music, made significant contributions as a writer, conductor, and composer throughout his long life. After moving to the United States in 1926, he penned thought-provoking articles about contemporary music and musicians, often featuring his friends. This third volume of a four-part collection showcases a curated selection of his unpublished reviews, articles, and manuscripts, highlighting his unique insights and deep engagement with the music world.

The autobiography reveals the life of a groundbreaking composer and performer who played a pivotal role in the evolution of modern music. Through witty anecdotes and reflections, the author shares personal experiences and insights from a career that shaped the musical landscape of the 20th century. This engaging narrative offers a unique perspective on the creative process and the cultural shifts that influenced their work.