Brit Bennet Boeken

"The Vignes twin sisters will always be identical. But after growing up together in a small, southern black community and running away at age sixteen, it's not just the shape of their daily lives that is different as adults, it's everything: their families, their communities, their racial identities. Ten years later, one sister lives with her black daughter in the same southern town she once tried to escape. The other secretly passes for white, and her white husband knows nothing of her past. Still, even separated by so many miles and just as many lies, the fates of the twins remain intertwined. What will happen to the next generation, when their own daughters' storylines intersect? Weaving together multiple strands and generations of this family, from the Deep South to California, from the 1950s to the 1990s, Brit Bennett produces a story that is at once a riveting, emotional family story and a brilliant exploration of the American history of passing."--Provided by publisher

The Vignes twin sisters, identical in appearance, grow up in a small southern Black community but take divergent paths after running away at sixteen. A decade later, one sister lives with her Black daughter in the town she sought to escape, while the other passes for white, concealing her past from her white husband. Despite the distance and deception separating them, their lives remain deeply intertwined. The narrative unfolds across generations, spanning from the 1950s to the 1990s, and traverses locations from the Deep South to California. Through this emotional family saga, the author explores the complex themes of identity and the historical context of racial passing. The story delves into how the past influences choices and aspirations, examining the reasons individuals may feel compelled to live outside their true origins. This captivating novel is a profound reflection on family, race, and the enduring impact of history on personal identity.

The Mothers is a surprising story about young love, a big secret in a small community - and the things that ultimately haunt us most. It is the last season of high school life for Nadia Turner, a rebellious, grief-stricken, 17-year-old beauty. Mourning her own mother's recent suicide, she takes up with the local pastor's son. They are young; it's not serious. But the pregnancy that results from this teen romance - and the subsequent cover-up - will have an impact that goes far beyond their youth.

Claudie is traveling from Harlem to Georgia with Mama and Cousin Sidney to meet her grandmother and cousins for the first time. She hopes that learning her family's story will inspire her for the variety show she's planning to raise money to save the boardinghouse her family lives in. Claudie's grandmother tells her a legend from slavery times called “The People Could Fly." In it, an old man whispers magic words, and the enslaved people grow wings and fly home to Africa. This gives Claudie an amazing idea for the finale of her show—but will Claudie's creativity be enough to save the home she loves?

Was bedeutet es, wenn ein weißes Publikum auf einmal eifrig Filme und Bücher über schwarzes Leid konsumiert? Warum fällt es den Medien so schwer, weißen Terrorismus als ebensolchen zu benennen? Warum waren Schwimmbäder schon immer Orte, an denen sich die Diskriminierung auf besondere Art manifestierte, und sind es noch heute? Wie gestalten wir die Zukunft, wenn wir umgeben sind von Menschen, die die Vergangenheit zurückersehnen? Und: Wird der Traum, durch die Zeit zu reisen, nicht immer ein weißes Privileg sein? Dieser Band versammelt acht brillante Essays, in denen sich Brit Bennett mit Fragen des Rassismus in all seinen Facetten auseinandersetzt.