Michael Turner Boeken

Off the coast of northern Scotland lies the Black Island, its ruined castle a grim warning to intruders. Those who set foot on the rocky shores are never seen again. No one will dare to venture there from Kiltoch. The dark secret must be uncovered, and it is Tintin, the boy reporter, who makes the attempt. A chain of mysterious events leads first to a house in Sussex, then to Scotland. Tintin is up against the unscrupulous Dr Müller, but after many desperate adventures he and Snowy, with the help of the Thomsons, bring a cunning adversary to book.

This stunning rights of passage novel unfolds against a backdrop of teenage sex, casual dope smoking and snatches of the Clash. A pair of highschool lovers develop an interest in film-making. But when the girl leaves for school in England, the boy withdraws into himself. It is only when a sneak film he makes of his neighbours having sex (accompanied by the family dog) becomes an underground hit, that he begins to emerge from his shell. But he is soon under pressure to follow up his first film with an even bigger hit.

When Aspen Matthews came to discover her true heritage, and her life beneath the waves began, her first mentor was the vicious Killian, who intended to turn her into a weapon which would destroy the world above the water utterly. Now Titan Books present Killian's story. Years before Aspen's birth, there is dissent amongst the ocean-dwellers. One of their cities has been unwittingly destroyed by humans, as a result of an atomic test. Rival factions clash over the right way to proceed, but, it seems, none of them wish for an all-out war. Even those who distrust and dislike humans - Killian included - know that to attack would lead to discovery, and chaos beyond their most awful imaginings. But when Killian discovers the terrible truth behind his parents' deaths, everything changes...forever...

A compendium showcasing how the Witchblade selected Sara, immersing her in the supernatural realm, along with the first appearances of key characters like Sara Pezzini, Ian Nottingham, Kenneth Irons, and Jackie Estacado.

A brand new value-priced edition of the hit series created by comic book legend Michael Turner. Soulfire follows a young orphan boy named Malikai, who discovers he is the link between an age of magic long forgotten and the ruling forces of technology in the present year of 2211. Along with the winged Grace, and a group of his closest allies, Malikai discovers the true nature of the magical world he must now protect at all costs.

The saga continues, celebrating the 25th Anniversary of Witchblade! In this second absolute collection of the best-selling original series, New York cop Sara Pezzini falls further down the supernatural rabbit hole of ancient artifacts, illuminati industrialists, and all manner of occult outlaws. But while the mysterious power of the Witchblade has chosen Sara as its bearer, she's less convinced of her qualifications. When an opportunity to surrender the gauntlet and live a normal life presents itself, she just might take it! Plus, witness the birth of the shared Top Cow Universe, as the Darkness makes its first crossover appearance.Collects WITCHBLADE #20-36, TALES OF THE WITCHBLADE #4-8, WITCHBLADE INFINITY one-shot, WITCHBLADE/DARKNESS #1, DARKNESS/WITCHBLADE #1, and DARKNESS #28.

A collection of short stories about the characters from Heroes. From the global smash hit show Heroes comes the stories from between the episodes, revealing the secrets of much-loved characters like Hiro Nakamura, Claire Bennet, Peter Petrelli and more. číst celé

The first modern history of St James's Palace, shedding light on a remarkable building at the heart of the history of the British monarchy

Shockingly original and intensely intelligent, 8 × 10 is a series of snapshots of a world torn apart by war and migration.Fearless in form, Michael Turner’s 8 × 10 casts aside traditional narrative structure and characterization to delve deeper into the issues gnawing at today’s global society. Through a sequence of possibly intertwined events, Turner creates a challenging portrait of our modern age, drawing solely on the actions of people rather than their appearance — whether advertising executives or soldiers, tailors or doctors — they fall in love, have children, fight in wars, and flee their homes. In 8 × 10 there are no names, no racial or ethnic characteristics, and only a vague sense of time. Turner’s characters, familiar yet implacable, are both no one and everyone.