Hilton Als Boeken

Catherine Opie's monograph offers an in-depth exploration of her impactful contributions to contemporary fine art photography over nearly four decades. Featuring over 300 stunning illustrations, the book pairs images from various bodies of work to reveal her artistic vision and psychological insight into American cultural and geographic identity. Created in close collaboration with the artist, it represents a significant milestone in understanding Opie's oeuvre and highlights the evolution of her unique narrative style.

"No Foreign Lands" is the first publication to examine in depth the conceptual underpinnings of Doig's oeuvre. Particular attention is given to the importance of motifs, themes and variations in his work, explored in over 200 paintings and works on paper from the past 13 years, among them new works never before published.

White Girls, Hilton Als’s first book since The Women fourteen years ago, finds one of The New Yorker's boldest cultural critics deftly weaving together his brilliant analyses of literature, art, and music with fearless insights on race, gender, and history. The result is an extraordinary, complex portrait of "white girls," as Als dubs them—an expansive but precise category that encompasses figures as diverse as Truman Capote and Louise Brooks, Malcolm X and Flannery O’Connor. In pieces that hairpin between critique and meditation, fiction and nonfiction, high culture and low, the theoretical and the deeply personal, Als presents a stunning portrait of a writer by way of his subjects, and an invaluable guide to the culture of our time.

Exploring the intricate interplay of love, loss, and identity, this memoir weaves together personal reflections with cultural commentary. Hilton Als delves into the vibrancy of the downtown queer nightclub scene and the impact of the AIDS crisis, all while celebrating figures like Prince and Dorothy Parker. The narrative is infused with poignant memories and a deep longing for connection, highlighting the struggles of colored boys navigating their desires amidst societal violence. Als's writing is both surprising and emotionally resonant, capturing the essence of shared experiences and unfulfilled love.

Growing up in a lace-curtain Irish suburb of Boston, secretly trying on his sister's dresses and spending his evenings after school in the city's chicest boutiques, Cunningham dreamed of a life dedicated to fashion. When he arrived in New York in 1948, he reveled in people-watching. He became a photographer for The New York Times, and after two style mavens took Cunningham under their wing he made a name for himself as a designer. Taking on the alias William J.-- because designing under his family's name would have been a disgrace to his parents--he became one of the era's most outlandish and celebrated hat designers, catering to movie stars, heiresses, and artists alike. Written with his infectious joy and one-of-a-kind voice, this memoir was polished, neatly typewritten, and safely stored away until after his death in 2016 -- adapted from jacket.

The Pulitzer-Prize winning and Guggenheim-honored Hilton Als curates the best essays from hundreds of magazines, journals, and websites, bringing the fierce style of street reading and the formal tradition of critical inquiry, reads culture, race, and gender ( New York Times ) to the task. The essay, like love, like life, is indefinable, but you know an essay when you see it, and you know a great one when you feel it, because it is concentrated life, writes Hilton Als in his introduction. Expertly guided by Als's instinct and intellect, The Best American Essays 2018 showcases great essays as well as irresistibly eclectic ones. Go undercover in North Korea, delve into the question of race in the novels of William Faulkner, hang out in the 1970s New York music scene, and take a family road trip cum art pilgrimage. These experiences and more immersive slices of concentrated life await.

If you can't beat them - kill them...The audacious conclusion to the international bestselling phenomenon that began with Maestra.

'Breathtaking ... The stories are special. They stand in their own right as lovely vignettes of the lives of the lonely, broken and troubled' Andrew Johnson, Independent Written when Truman Capote was in his teens and twenties, these recently-discovered short stories give a rare insight into an American icon. Tales of disappointed lovers, ageing spinsters, hoboes and murderous housewives, of yearning, poverty, despair, compassion, wit and wonder, they show us the boy from Alabama who became one of the twentieth century's most celebrated literary voices. 'An intriguing glimpse of Capote as a boy: precocious, provocative, spirited and strange, a "pocket Merlin" spinning tall tales' Olivia Laing, New Statesman

Alice Neel, Uptown' explores Neel's interest in the extraordinary diversity of twentieth century New York City and the people amongst whom she lived. The selected portraits include cultural and political figures admired by Neel, among them playwright, actor, and author Alice Childress; the sociologist Horace R. Cayton, Jr., whose 1945 Black Metropolis: A Study of Negro Life in a Northern City is among the key academic studies of the African American urban experience in the early twentieth century; the community activist and cultural advocate Mercedes Arroyo; and the academic Harold Cruse, known for known for his widely-published academic book The Crisis of the Negro Intellectual (1967) and for teaching at LeRoi Jones's Black Arts Repertory Theatre/School in Harlem. Other figures include neighbors and acquaintances, such as a ballet dancer; a young art student; a taxi driver; a traveling businessman; a local boy (Georgie Arce) who ran errands for Neel and who sat for her on several occasions; and other children and their families

Daring and fiercely original, THE WOMEN is at once a memoir, a psychological study, a sociopolitical manifesto, and an incisive adventure in literary criticism. It presents a series of portraits that analyzes the role that sexual and racial identity play in the lives and work of a series of subjects chosen by the author. Among these subjects are his own mother and the mother of Malcolm X.