"No Foreign Lands" is the first publication to examine in depth the conceptual underpinnings of Doig's oeuvre. Particular attention is given to the importance of motifs, themes and variations in his work, explored in over 200 paintings and works on paper from the past 13 years, among them new works never before published.
Alice Neel, Uptown' explores Neel's interest in the extraordinary diversity of twentieth century New York City and the people amongst whom she lived. The selected portraits include cultural and political figures admired by Neel, among them playwright, actor, and author Alice Childress; the sociologist Horace R. Cayton, Jr., whose 1945 Black Metropolis: A Study of Negro Life in a Northern City is among the key academic studies of the African American urban experience in the early twentieth century; the community activist and cultural advocate Mercedes Arroyo; and the academic Harold Cruse, known for known for his widely-published academic book The Crisis of the Negro Intellectual (1967) and for teaching at LeRoi Jones's Black Arts Repertory Theatre/School in Harlem. Other figures include neighbors and acquaintances, such as a ballet dancer; a young art student; a taxi driver; a traveling businessman; a local boy (Georgie Arce) who ran errands for Neel and who sat for her on several occasions; and other children and their families
White Girls, Hilton Als’s first book since The Women fourteen years ago, finds one of The New Yorker's boldest cultural critics deftly weaving together his brilliant analyses of literature, art, and music with fearless insights on race, gender, and history. The result is an extraordinary, complex portrait of "white girls," as Als dubs them—an expansive but precise category that encompasses figures as diverse as Truman Capote and Louise Brooks, Malcolm X and Flannery O’Connor. In pieces that hairpin between critique and meditation, fiction and nonfiction, high culture and low, the theoretical and the deeply personal, Als presents a stunning portrait of a writer by way of his subjects, and an invaluable guide to the culture of our time.
Growing up in a lace-curtain Irish suburb of Boston, secretly trying on his sister's dresses and spending his evenings after school in the city's chicest boutiques, Cunningham dreamed of a life dedicated to fashion. When he arrived in New York in 1948, he reveled in people-watching. He became a photographer for The New York Times, and after two style mavens took Cunningham under their wing he made a name for himself as a designer. Taking on the alias William J.-- because designing under his family's name would have been a disgrace to his parents--he became one of the era's most outlandish and celebrated hat designers, catering to movie stars, heiresses, and artists alike. Written with his infectious joy and one-of-a-kind voice, this memoir was polished, neatly typewritten, and safely stored away until after his death in 2016 -- adapted from jacket.
If you can't beat them - kill them...The audacious conclusion to the international bestselling phenomenon that began with Maestra.
'Breathtaking ... The stories are special. They stand in their own right as lovely vignettes of the lives of the lonely, broken and troubled' Andrew Johnson, Independent Written when Truman Capote was in his teens and twenties, these recently-discovered short stories give a rare insight into an American icon. Tales of disappointed lovers, ageing spinsters, hoboes and murderous housewives, of yearning, poverty, despair, compassion, wit and wonder, they show us the boy from Alabama who became one of the twentieth century's most celebrated literary voices. 'An intriguing glimpse of Capote as a boy: precocious, provocative, spirited and strange, a "pocket Merlin" spinning tall tales' Olivia Laing, New Statesman