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Henry Glassie

    Fate e spiriti d'Irlanda
    Folk Art
    Irish Folk Tales
    Irish Folktales
    Sacred Art
    Passing the Time in Ballymenone
    • Sacred Art

      Catholic Saints and Candomble Gods in Modern Brazil

      • 548bladzijden
      • 20 uur lezen

      Henry Glassie, a distinguished College Professor Emeritus at Indiana University, has garnered numerous accolades for his scholarly contributions. His expertise is reflected in his eighteen published works, three of which—Passing the Time in Ballymenone, The Spirit of Folk Art, and Turkish Traditional Art Today—have been recognized as notable books of the year by the New York Times, showcasing his significant impact on the study of folk art and cultural traditions.

      Sacred Art
      4,4
    • Irish Folktales

      • 356bladzijden
      • 13 uur lezen

      Robust and funny, sorrowful and heroic, this collection of 125 lively tales tells the story of Ireland. Spanning the centuries from the first wars of the ancient Irish kings through the Celtic Renaissance of Yeats to our own time, they are set in cities, villages, fields and forestsfrom the wild Gaelic western coast to the modern streets of Dublin and Belfast.

      Irish Folktales
      4,0
    • Robust and funny, sorrowful and heroic, this collection of 125 lively tales tells the story of Ireland. Spanning the centuries from the first wars of the ancient Irish kings through the Celtic Renaissance of Yeats to our own time, they are set in cities, villages, fields and forestsfrom the wild Gaelic western coast to the modern streets of Dublin and Belfast.

      Irish Folk Tales
      3,6
    • Folk Art

      Continuity, Creativity, and the Brazilian Quotidian

      • 612bladzijden
      • 22 uur lezen

      Exploring the vibrant folk art of Brazil's Northeast, this book highlights the collaborative spirit among artists and folklorists who engage deeply with their craft. It emphasizes the themes of continuity and creativity, illustrating how these elements foster social coherence and personal fulfillment. The authors draw connections between local practices and global ethnographic evidence, advocating for a shared understanding of folk art as a testament to human unity. This work complements their previous exploration of sacred art in modern Brazil.

      Folk Art