Nicholas Wolterstorff Boeken

The author describes the progress of his grief from the shock of learning of his son's accidental death to his final resignation a year later.

World-renowned Christian philosopher. Beloved professor. Author of the classic Lament for a Son. Nicholas Wolterstorff is all of these and more. His memoir, In This World of Wonders, opens a remarkable new window into the life and thought of this remarkable man. Written not as a complete life story but as a series of vignettes, Wolterstorff's memoir moves from his humble beginnings in a tiny Minnesota village to his education at Calvin College and Harvard University, to his career of teaching philosophy and writing books, to the experiences that prompted some of his writing--particularly his witnessing South African apartheid and Palestinian oppression firsthand. In This World of Wonders is the story of a thoughtful and grateful Christian whose life has been shaped by many loves--love of philosophy, love of family, love of art and architecture, love of nature and gardening, and more. It's a lovely, wonderful story.

The book delves into Locke's ethics of belief as presented in his "Essay Concerning Human Understanding," focusing on how he addressed the fragmentation of moral and religious traditions in Europe. Wolterstorff emphasizes Locke's call for individuals to prioritize reason and direct experience over tradition, reflecting a culturally responsive epistemology. The study also critiques Hume's challenges to Locke's views while asserting Locke's originality and significance in shaping modern philosophy, particularly in light of the cultural crises of his time.

Exploring the intersection of faith and social justice, this collection of essays by Nicholas Wolterstorff addresses the pressing issues of oppression and the role of liturgy in the pursuit of justice. Drawing on personal, historical, and theological insights, he passionately advocates for a commitment to justice and peace. This work serves as a vital companion to his previous writings, reinforcing his reputation as a significant voice within the church. It invites readers to adopt transformative ways of thinking and living in response to the world's injustices.

This collection features Nicholas Wolterstorff's essays on epistemology, spanning from 1983 to 2008. It explores various themes and arguments related to knowledge, belief, and justification, showcasing Wolterstorff's influential contributions to the field. The essays reflect his evolving thoughts and engage with significant philosophical debates, making this volume a valuable resource for those interested in contemporary epistemological discussions.

Exploring the interconnectedness of justice, art, and liturgy, the author reveals how these concepts are unified by divine love. Each topic reflects a commitment to the dignity of others, creative engagement, and the infinite goodness of the creator. Through elegant discourse, the work illustrates how these elements culminate in the worship of God and the recognition of the divine image within humanity, emphasizing the importance of unitive love in their fulfillment.

The author shares a deeply personal journey through grief following the loss of his son, exploring the distinction between owning and disowning grief. He emphasizes the importance of embracing grief redemptively, drawing on insights from the Christian tradition. The book also includes perspectives from twenty-five prisoners at Handlon State Prison, who reflect on their own experiences of owning grief while incarcerated. Their letters in the postlude provide a poignant glimpse into the transformative power of grief and redemption.

Focusing on the evolution of epistemological thought, this collection features essays by Nicholas Wolterstorff spanning 1983 to 2008. It explores key themes in knowledge, belief, and justification, showcasing his contributions to the field and offering insights into the interplay between philosophy and faith. Through rigorous analysis and reflection, Wolterstorff engages with contemporary issues, making this volume a significant resource for those interested in philosophical inquiry and the nature of understanding.

This book is a philosophical study of the liturgy and what liturgical agents actually do, rather than focusing on their formative and expressive functions.

We engage with works of art in many ways, yet almost all modern philosophers of art have focused entirely on one mode of engagement: disinterested attention. Nicholas Wolterstorff explores why this is, and offers an alternative framework according to which arts are a part of social practice, and have different meaning in different practices.