Meer dan een miljoen boeken binnen handbereik!
Bookbot

Adolf Bernhard Marx

    15 maart 1795 – 17 mei 1866
    The Universal School of Music: a Manual for Teachers and Students in Every Branch of Musical Art ...
    Die Lehre von der Musikalischen Komposition, Praktisch Theoretisch
    Musical form in the age of Beethoven
    The Music of the Nineteenth Century and Its Culture
    General Musical Instruction
    General Musical Instruction, Allgemeine Musiklehre
    • General Musical Instruction, Allgemeine Musiklehre

      An Aid To Teachers And Learners In Every Branch Of Musical Knowledge (1854)

      • 160bladzijden
      • 6 uur lezen
      5,0(1)Tarief

      Covering a broad spectrum of music theory and practice, this comprehensive guide serves both teachers and learners. It includes organized sections on notation, rhythm, harmony, counterpoint, and musical form, each presented clearly for easy comprehension. Numerous examples and exercises reinforce understanding, catering to both beginners and advanced musicians. This facsimile reprint preserves the cultural significance of the original 1854 work, making it a valuable resource for enhancing musical knowledge and appreciation.

      General Musical Instruction, Allgemeine Musiklehre
    • General Musical Instruction

      • 146bladzijden
      • 6 uur lezen
      4,0(1)Tarief

      Published in 1854, this work focuses on music theory and practice, contributing to Novello's Library for the Diffusion of Musical Knowledge. It aims to enhance understanding and appreciation of music through comprehensive insights into theoretical concepts and practical applications, making it a valuable resource for musicians and enthusiasts alike.

      General Musical Instruction
    • This influential 1855 survey explores the importance of music in Western culture while serving as a guide for musical education. It delves into the impact of music on society and emphasizes its role in cultural development, offering insights into teaching methods and the broader significance of musical appreciation.

      The Music of the Nineteenth Century and Its Culture
    • Musical form in the age of Beethoven

      • 213bladzijden
      • 8 uur lezen
      3,5(4)Tarief

      A. B. Marx was one of the most important German music theorists of his time. Drawing on idealist aesthetics and the ideology of Bildung, he developed a holistic pedagogical method as well as a theory of musical form that gives pride of place to Beethoven. This volume offers a generous selection of the most salient of his writings, the majority presented here in English for the first time. It features Marx's oft-cited but little understood material on sonata form, his progressive program for compositional pedagogy and his detailed critical analysis of Beethoven's 'Eroica' Symphony. These writings thus deal with issues that fall directly among the concerns of mainstream theory and analysis in the last two centuries: the relation of form and content, the analysis of instrumental music, the role of pedagogy in music theory, and the nature of musical understanding.

      Musical form in the age of Beethoven
    • Originally published in German, this book explores the principles of music and music theory in a comprehensive and accessible way. Marx's work has been highly influential in the development of Western classical music, and this translation allows English-speaking readers to access his groundbreaking ideas.

      The Universal School of Music, Tr. by A.H. Wehrhan
    • This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

      Introduction to the Interpretation of the Beethoven Piano Works,