Giacomo Meyerbeer Boeken

The Prophet is a captivating opera with a dramatic storyline filled with love, deceit, and religious fervor. The music is grand and hauntingly beautiful, composed by the legendary Giacomo Meyerbeer, and the libretto by genius Eugène Scribe. Harcourt Russell's translation is top-notch, bringing this timeless classic to a new audience.

Set in the backdrop of religious conflict, this opera unfolds over five acts, portraying the struggles of the Huguenots in 16th-century France. The narrative explores themes of faith, persecution, and resilience, capturing the emotional turmoil of its characters. This reprint of the original 1870 edition preserves the historical significance and artistic integrity of the work, making it a valuable addition for opera enthusiasts and historians alike.

The book is recognized for its significant contribution to literature, serving as an essential resource for scholars and future generations. Published in its original format, it preserves the authenticity of the text, including any marks or annotations, to maintain its historical context and true nature.

This opera, presented in five acts, is a faithful reprint of the original 1870 edition. It captures the historical and cultural essence of its time, showcasing themes of faith and conflict. The work is notable for its rich musical composition and dramatic narrative, reflecting the struggles of the Huguenots. This edition preserves the integrity of the original text, making it a valuable resource for both enthusiasts and scholars of opera and history.

Volume 2 covers the 1840s, a period designated as the Prussian Years. From 1846 Meyerbeer's journal becomes a consistent daily record, resulting in one of the most sustained depictions of a contemporary artistic, theatrical, and musical milieu ever kept by a famous composer. Illustrated.

»Robert le Diable« war eine der erfolgreichsten Opern des 19. Jahrhunderts. Die märchenhafte Geschichte von Robert dem Teufel, der unentschieden zwischen Gut und Böse schwankt, war ihrem romantischen Sujet nach auf der Höhe ihrer Zeit, die nach Schauder lustvoll verlangte. Beiträge zur Entstehungsgeschichte und Rezeption vermitteln ein anschauliches Bild von der herausragenden Bedeutung, die »Robert le Diable« für die Entwicklung des europäischen Musiktheaters im 19. Jahrhundert hatte.