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Orlando Figes

    20 november 1959

    Orlando Figes is een Britse historicus gespecialiseerd in Rusland, die zich verdiept in de Russische geschiedenis en samenleving. Zijn schrijven kenmerkt zich door een gedetailleerd onderzoek naar de complexe sociale, politieke en culturele krachten die de Russische natie hebben gevormd. Figes brengt lezers niet alleen de belangrijkste gebeurtenissen bij, maar ook het dagelijks leven en de gedachten van gewone mensen, waardoor een levendig en inzichtelijk beeld van het verleden ontstaat. Zijn aanpak biedt een boeiend en diepgaand begrip van een van 's werelds meest invloedrijke naties.

    Orlando Figes
    A People's Tragedy: The Russian Revolution 1891-1924. Russland - Die Tragödie eines Volkes, englische Ausgabe
    The Whisperers: Private Life in Stalin's Russia
    A People's Tragedy. The Russian Revolution 1891-1924
    A People's Tragedy
    A People's Tragedy. The Russian Revolution 1891-1924
    Fluisteraars
    • Unrivalled in scope and brimming with human drama, A People's Tragedy is the most vivid, moving and comprehensive history of the Russian Revolution available today. 'A modern masterpiece' Andrew Marr 'The most moving account of the Russian Revolution since Doctor Zhivago' Independent Opening with a panorama of Russian society, from the cloistered world of the Tsar to the brutal life of the peasants, A People's Tragedy follows workers, soldiers, intellectuals and villagers as their world is consumed by revolution and then degenerates into violence and dictatorship. Drawing on vast original research, Figes conveys above all the shocking experience of the revolution for those who lived it, while providing the clearest and most cogent account of how and why it unfolded. Illustrated with over 100 photographs and now including a new introduction that reflects on the revolution's centennial legacy, A People's Tragedy is a masterful and definitive record of one of the most important events in modern history.

      A People's Tragedy. The Russian Revolution 1891-1924
      4,6
    • A People's Tragedy

      The Russian Revolution, 1891–1924

      • 923bladzijden
      • 33 uur lezen

      Vast in scope and rich in original research, this profound account of the Russian Revolution captures the event's epic yet human scale. The author presents a panorama of Russian society before the revolution and narrates the violent erasure of these social forces. The narrative is enhanced by individual stories drawn from private writings, following figures like the patriotic general Brusilov, the progressive peasant Semenov, and the critical socialist Maxim Gorky, as they witness their hopes crumble and their world disintegrate. This unique perspective portrays the revolution as a tragedy for both the Russian people and individuals caught in its turmoil. The author emphasizes that the major social forces—peasants, workers, soldiers, and the empire's subject peoples—were not merely victims of the Bolsheviks but also active participants in their own complex revolutionary narratives. The text argues that the failure of democracy in 1917 was deeply rooted in Russian culture and social history, suggesting that what began as a people's revolution harbored the seeds of its degeneration into violence and dictatorship. This work serves as a compelling exploration of one of the century's most significant events.

      A People's Tragedy
      4,4
    • Russia under the old regime - The crisis of authority - Russia in revolution (February 1917-March 1918) - The civil war and the making of the Soviet system (1918-24); Lenin - Marx - Stalin - Kerensky - Trotskysk_____________

      A People's Tragedy. The Russian Revolution 1891-1924
      4,4
    • Drawing on a huge range of sources - letters, memoirs, conversations - Orlando Figes tells the story of how Russians tried to endure life under Stalin. Those who shaped the political system became, very frequently, its victims. Those who were its victims were frequently quite blameless. The Whisperers recreates the sort of maze in which Russians found themselves, where an unwitting wrong turn could either destroy a family or, perversely, later save it- a society in which everyone spoke in whispers - whether to protect themselves, their families, neighbours or friends - or to inform on them.

      The Whisperers: Private Life in Stalin's Russia
      4,4
    • Magnificent and beautifully written, this book offers an absorbing exploration of how Europe's cultural life transformed throughout the 19th century. It is a massively impressive work that combines enjoyment with deep knowledge, providing insights into the mechanisms of history and the individuals who shape it. The narrative revolves around the intertwined lives of three remarkable figures: the great singer Pauline Viardot, the esteemed writer Ivan Turgenev, and Pauline's husband, Louis. Their ambitious lives intersected with a vibrant array of artists navigating a prosperous, pan-European culture born from significant economic and technological changes. Innovations like trains, telegraphs, and printing enabled artists to exchange ideas and thrive across the continent, from the British Isles to Imperial Russia, in a new cosmopolitan age. This masterpiece reveals huge cultural shifts through intimate details and lesser-known stories, particularly highlighting the touching and complex love triangle involving Turgenev and the Viardots. The book refreshes our understanding of pivotal moments in European high culture, allowing readers to appreciate the precariousness of the salons, premieres, and bestsellers that defined the era.

      The Europeans: Three Lives and the Making of a Cosmopolitan Culture
      4,3
    • Natasha's Dance conjures up the whole panorama of Russia's mighty culture, in a way that is fresh, intimate and immediate. Whether talking about music or novels, buildings or paintings, Orlando Fige's narrative should sweep the reader along through a series of set-piece chapters.

      Natasha's Dance. A cultural history of Russia
      4,3
    • The Europeans

      • 576bladzijden
      • 21 uur lezen

      The Europeans is a richly enthralling, panoramic cultural history of nineteenth-century Europe, told through the intertwined lives of three remarkable people- a great singer, Pauline Viardot, a great writer, Ivan Turgenev, and a great connoisseur, Pauline's husband Louis. Their ambitious lives and complex loves were bound up with an astonishing array of writers, composers and painters all trying to make their way through the exciting, prosperous European cultural landscape that came about as a result of huge economic and technological change. This culture - through trains, telegraphs and printing - allowed artists of all kinds to exchange ideas and make a living, as they travelled across the whole continent from the British Isles to Imperial Russia. The Europeans is Orlando Figes' masterpiece. It describes huge changes through intimate details, little-known stories and through the lens of Turgenev and the Viardots' touching, strange love triangle. Events which we now see as central to European high culture are made completely fresh, allowing the reader to revel in the sheer precariousness with which the great salons, premieres and bestsellers came into existence.

      The Europeans
      4,2