Bryan R. Simms Boeken

Schoenberg, Berg, and Webern, modern composers from early 20th-century Vienna, are explored within a broader artistic context that highlights their connections to earlier Viennese musical developments. This collection of essays presents a coherent analysis of the Second Viennese School of Music, illustrating its significant influence on European and American composers post-World War II. Recent discoveries and critical perspectives shed light on key aspects of their work, including the origins of atonal composition, the 12-tone method, and the literary inspirations behind their music. The essays provide unique insights into the personalities and artistic achievements of these three pivotal figures who brought modernism to music. These accessible writings contribute to the ongoing interest in the modern culture of Vienna and other European cities during this period, appealing to both musicians and scholars. Each chapter, authored by a different specialist, examines the artistic environment surrounding the composers, offering a broad, multifaceted discussion rather than adhering to a single hypothesis. This selection of new knowledge enhances the understanding of their music and the cultural landscape of their time.

Focusing on the historical significance of music within Western civilization, this text offers a clear exploration from antiquity to the Baroque period. It highlights the relevance of music history to contemporary practice and performance. Enhanced with full-color photographs, maps, and timelines, it situates music within the broader context of the arts and humanities. A dedicated website complements the book with additional resources, musical selections, and a glossary, facilitating effective class preparation and deeper understanding.