Paul Gordon Boeken

"In defining rapturous superabundance, Gordon explicates the tension between Apollonian principles of preservation and orderly boundaries (Exemplified in Aristotle's theory of tragedy) and an ecstatic Dionysian energy (essentially a manifestation of will) that ruptures boundaries. Aristotle denied this disruptive element by focusing on tragedy as a rational framework for redefining moral boundaries. Nietzsche seized on it as the core of his theory of tragedy."--BOOK JACKET.

Art as the Absolute is a literary and philosophical investigation into the meaning of art and its claims to truth. Exploring in particular the writings of Kant and those who followed after, including Fichte, Schelling, Hegel, Schopenhauer, and Nietzsche, Paul Gordon contends that art solves the problem of how one can “know” the absolute in non-conceptual, non-discursive terms.The idea of art's inherent relation to the absolute, first explicitly rendered by Kant, is examined in major works during the thirty-three year period from 1790 to 1823. The first and last chapters, on Plato and Nietzsche respectively, deal with precursors and “post-cursors” of this idea. Gordon shows and seeks to readdress the lack of attention to this idea after Hegel, as well as in contemporary reassessments of this period. Art as the Absolute will be of interest to students and scholars interested in exploring aesthetics from both a literary and philosophical perspective.

Navigating complex decisions is challenging, and ensuring those decisions are effectively implemented can be even harder. This book provides insights and strategies to simplify the decision-making process and enhance commitment to the chosen path. It emphasizes practical techniques to overcome obstacles and reinforces the importance of clarity and confidence in making lasting choices.

A major snowstorm in 1967 sparks a man's transformative journey to acquire an island in the wilds of Northwest Ontario, Canada. This true story chronicles his adventurous pursuit, detailing the challenges and experiences he faces along the way as he strives to realize his dream of island ownership.

The book explores the concept of "positive freedom," contrasting it with "negative freedom" to challenge traditional understandings of liberty. It delves into philosophical frameworks and societal implications, encouraging readers to consider how true freedom encompasses not just the absence of constraints but also the presence of opportunities and capabilities. Through critical analysis, it aims to redefine personal and collective freedom in a contemporary context, prompting a deeper reflection on what it means to be truly free.

The book offers a groundbreaking psychoanalytic examination of Alfred Hitchcock's major films through a Freudian lens, focusing on the concept of a "mother complex." It delves into how this theme shapes the characters, plots, and visual artistry in Hitchcock's work, providing a deep analysis of both male and female roles. By systematically applying this approach, the author reveals new insights into the intricate relationship between the characters and the overarching narrative structure of these iconic films.

Noam Chomsky, "arguably the most important intellectual alive" (The New York Times), first became famous through his work in linguistics. Chomsky's second career, as a political/analyst/critic/activist is harder to categorize. Chomsky for Beginners presents a concise yet comprehensive introduction to this political gadfly and "media critic," whose ideas are in deadly opposition to the kow-towing mass media.