The discursive museum

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Can the museum be viewed as a conceptual structure capable of liberating itself from visual and imaginary content? To address this question, a group of well-known philosophers, theorists, and artists undertook a critical examination of collection and exhibition concepts, especially of those that are orientated toward market success. With current trends toward global museum mergers, large-scale exhibitions, and art light, the participants of this symposium, held at the MAK in Vienna, discuss the possibilities for daring curatorial policies dedicated to presenting art within critical aesthetic contexts and point the way to possible future forms of the museum.