Körperbilder in Kunst und Wissenschaft

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This collection features diverse explorations of the body, movement, and spatial representations. Bettina Bläsing and P. Brugger examine cognitive representations, while P. J. Bräunlein discusses crucifixion rituals in the Philippines, emphasizing the materiality of the Christ body. L. Fonseca presents the total body as a manifestation of transcendence, framing body and life as constraints on freedom. C. Logemann reflects on civic virtue through the lens of a marble hero in New York and its audience. T. Metzinger offers empirical insights from the self-model theory of subjectivity, and T. Moser and A. Schmidt engage in a dialogue about the singer's voice and body on stage. M. Nowicka and E. Tolasch share narratives of women's experiences during pregnancy, highlighting the elusive nature of bodies. K. Oschema analyzes the body as a medium of authenticity in medieval society, while I. Pasqualini and O. Blanke discuss embodiment and bodily sensations in architecture. H. Pleschinski provides an essay on personal reflections, and H. Schmid converses about the athlete's body in high-performance contexts. W. G. Schmidt questions the musician's body as either a mere tool or a universal sensorium, while M. Schmitz-Emans explores handwriting as a bodily trace in literature. S. Schütz-Bosbach offers a neurocognitive perspective on the transition from body to self, and K. Sperling examines the interplay of nature and culture through genet