Gefühlskraftwerke für Patrioten?

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The 19th century saw a complex interplay between nationalism and music, explored through various lenses. J. Osterhammel discusses the global semantics and cultural dynamics during the era of Richard Wagner and Werner von Siemens. A. Gerhard examines the need for musical expressions of national identity, while M. Walter delves into the concept of the national opera. B. Walton addresses the emergence of global opera, and E. Bonomi analyzes national identity in Aleksandr Serov's "Des Teufels Macht." R. Ritter highlights the national mission and panslavism in Polish music, and A. Tedesco reflects on the evolution of Italian opera critiques from Meyerbeer to Wagner. F. Kreuder discusses Wagner's dual identity as a cosmopolitan and a proponent of German national theatre. Various authors explore Wagner's role in shaping German national opera, including K. Berger's inquiry into the sacredness of German art and L. Zoppelli's comparison of identity-forming processes in operas. The reception of Wagner in different cultural contexts, including the DDR and Jewish interpretations, is also examined. The text covers Wagner's influence in various countries, including Hungary, Italy, and Spain, and addresses the operatic traditions and innovations of the time. Finally, the impact of Wagner in popular culture is highlighted, showcasing his enduring legacy.