Die Natur-Kultur-Grenze in Kunst und Wissenschaft

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W. G. Schmidt introduces a multifaceted exploration of the boundary between nature and culture through various contributions. E. Voland examines this boundary, while K. Sperling discusses its implications in light of the Human Genome Project. A. Schmitt offers a historical-critical perspective on the problematic dichotomy between natural and human sciences. M. von Hänsel-Hohenhausen delves into the irrational's impact on reality, framing the nature-culture boundary as a site of freedom. In the realm of cultural anthropology and art history, C. Antweiler addresses humanity's diverse cultures, advocating for a metaphorical crossing of the Rubicon. P. Walschburger analyzes human-environment relationships and their influence on quality of life, considering the roles of nature, culture, and civilization. W. G. Schmidt presents an exposition on tonality as an ordering system bridging nature and culturalization, leading to a plenary discussion. J. Blauert and A. Raake investigate complex instrumental sound quality assessments as a means to gauge cultural engagement. M. Neumann explores universal narrative elements through the lens of comedy, while D. Niefanger reflects on Georg Simmel's philosophy of landscape as a modern mediation of the nature-culture divide. B. Beßlich discusses geopolitics in poetry, focusing on landscape and "living space" amid Heimatkunst and Expressionism. In sports, music, and theater, H. Weber engages in a