Meer over het boek
"Seen by Lawrence as his most accomplished book, but subject to the initial prudery and incomprehension that met most of his fiction, Women in Love examines the regenerative and destructive aspects of human passion, as illustrated by its depiction of Ursula and Gudrun Brangwen - who first appeared in The Rainbow - and their relationships with Gerald Crich and Rupert Birkin. Set against the backdrop of a world consuming itself in war, the novel creates an instructive vision of humanity's dance with life and death." "This text is the famous "first" Women in Love, the unexpurgated version preferred by Lawrence himself, which was rejected by every publisher because of the banning of The Rainbow in 1915. More positive in tone than the revised version published in his lifetime, with different central relationships and a radically different ending, it is now viewed by many as Lawrence's masterpiece."--BOOK JACKET.
Een boek kopen
Women in Love, David Herbert Lawrence
- Taal
- Jaar van publicatie
- 1992
- product-detail.submit-box.info.binding
- (Paperback)
Betaalmethoden
We missen je recensie hier.
- Titel
- Women in Love
- Taal
- Engels
- Auteurs
- David Herbert Lawrence
- Uitgever
- Wordsworth Editions
- Jaar van publicatie
- 1992
- Formaat
- Paperback
- ISBN10
- 185326007X
- ISBN13
- 9781853260070
- Reeks
- De Brangwens
- Eerste editie
- 1920
- Oorspronkelijke titel
- Women in Love
- Beoordeling
- 3,65 van 5
- Aantekening
- "Seen by Lawrence as his most accomplished book, but subject to the initial prudery and incomprehension that met most of his fiction, Women in Love examines the regenerative and destructive aspects of human passion, as illustrated by its depiction of Ursula and Gudrun Brangwen - who first appeared in The Rainbow - and their relationships with Gerald Crich and Rupert Birkin. Set against the backdrop of a world consuming itself in war, the novel creates an instructive vision of humanity's dance with life and death." "This text is the famous "first" Women in Love, the unexpurgated version preferred by Lawrence himself, which was rejected by every publisher because of the banning of The Rainbow in 1915. More positive in tone than the revised version published in his lifetime, with different central relationships and a radically different ending, it is now viewed by many as Lawrence's masterpiece."--BOOK JACKET.