Blickkontakte mit Robert Schumann - Begegnungen im heutigen Dresden

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Which composer instills as much confidence in posterity as Robert Schumann? His detailed and candid diaries reveal a significant expansion of his artistic circle and aesthetic discussions during his five years in Dresden, from early 1845 to autumn 1850. This volume of a triad explores the concept of "eye contacts" in the context of Dresden. The journey begins at the tomb of Carl Maria von Weber, who was intended to be Schumann's piano teacher. Nearby are Richard Wagner's last home and the birthplace of Adrian Ludwig Richter, along with the residences of Ferdinand Hiller and Wilhelmine Schröder-Devrient. The Schumanns lived on Waisenhaus-Street and later on Reitbahn-Lane, with landmarks like Semperoper, Royal Palace, court chapel, and Brühlsche Terrasse providing authentic references to their lives. The tour includes Ernst Rietschel's studio, the Belvedere concert venue, and significant rehearsal halls. It continues to Blasewitz, Loschwitz, and Pillnitz. Notable events include the world premiere of the Piano Concerto in a-minor op. 54 at the Hôtel de Saxe, featuring Clara as pianist, and Robert's conducting debut of his "Faust-scenes" in 1849. Overall, Robert's time in Dresden was his most productive period, reflecting his deep affection for the city and its surroundings.