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Death of a Salesman
Schulausgabe für das Niveau B2, ab dem 6. Lernjahr. Ungekürzter englischer Originaltext mit Annotationen
Auteurs
Boekbeoordeling
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In the spring of 1948 Arthur Miller retreated to a log cabin in Connecticut with the first two lines of a new play already fixed in his mind. He emerged six weeks later with the final script of Death of a Salesman - a painful examination of American life and consumerism. Opening on Broadway the following year, Miller's extraordinary masterpiece changed the course of modern theatre. In creating Willy Loman, his destructively insecure anti-hero, Miller himself defined his aim as being 'to set forth what happens when a man does not have a grip on the forces of life'.
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Death of a Salesman, Arthur Miller
- Taal
- Jaar van publicatie
- 2008
- product-detail.submit-box.info.binding
- (Paperback)
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- Titel
- Death of a Salesman
- Ondertitel
- Schulausgabe für das Niveau B2, ab dem 6. Lernjahr. Ungekürzter englischer Originaltext mit Annotationen
- Taal
- Engels
- Auteurs
- Arthur Miller
- Uitgever
- Klett
- Jaar van publicatie
- 2008
- Formaat
- Paperback
- Aantal pagina's
- 140
- ISBN10
- 3125776333
- ISBN13
- 9783125776333
- Reeks
- Tags
- Fictie, Klassiekers, Liefde, Familie, Korte Verhalen, Verenigde Staten, Relaties, School, Amerikaanse Literatuur, Dood, Toneelstukken, Verfilmd, Spaanse literatuur, New York, Amerika, Angst, Magisch realisme, Lot, Familierelaties, Nobelprijs, Zelfmoord, Zelfontdekking, Depressie, Hispano-Amerikaanse literatuur, Tragedie, Wanhoop, Zelfrealisatie, Vervreemding, Pulitzerprijs
- Eerste editie
- 1949
- Oorspronkelijke titel
- Death of a Salesman
- Beoordeling
- 3,55 van 5
- Aantekening
- In the spring of 1948 Arthur Miller retreated to a log cabin in Connecticut with the first two lines of a new play already fixed in his mind. He emerged six weeks later with the final script of Death of a Salesman - a painful examination of American life and consumerism. Opening on Broadway the following year, Miller's extraordinary masterpiece changed the course of modern theatre. In creating Willy Loman, his destructively insecure anti-hero, Miller himself defined his aim as being 'to set forth what happens when a man does not have a grip on the forces of life'.