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Both an artist's book and a comprehensive exploration of D'Angelo Lovell Williams's work, this volume engages with the visualization of desire and the depiction of the Black body. Williams's narrative images reflect the diverse existence of Black queer individuals throughout history, portraying them as sitters, lovers, caregivers, or shadows. Guided by personal experience and broader questions of race, class, sexuality, gender, and intimacy, Williams's work emphasizes the significance of touch and gesture, as suggested by the title, which evokes heightened senses and intuitive movement. Through self-portraits and community collaborations, Williams's photographs present the Black body in performative, theatrical, and sometimes mundane scenes, connecting to collective histories and ancestral practices. Central to these intimate images are themes of kinship and spirituality, intertwined with subtle political and radical gestures. Williams's unwavering gaze demands visibility and respect, creating spaces where Black and queer voices hold authority. The dynamics among families, cultures, friends, lovers, ancestors, and descendants are depicted as a spectrum of care, tenderness, and vulnerability, highlighting the complexities often overlooked in historical representations.