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Jan Lievens

Friend and Rival of the young Rembrandt

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Jan Lievens (1607–1674), Rembrandt’s boyhood friend, who embarked on an artistic career even earlier than his companion, once again is as highly regarded as during his lifetime, thanks to numerous recent publications and several exhibitions. The present monograph and catalogue raisonné discuss and analyze for the first time the extensive output of his early Leiden years: his paintings, drawings, and etchings from 1623 to 1632. Besides the book’s comprehensiveness and consideration of the artist’s work in the context of his Netherlandish contemporaries from Haarlem, Utrecht, and Antwerp, special emphasis is placed on establishing the chronology of his œuvre. Only a solid foundation such as this would make it possible to determine more precisely than before Lievens’s much discussed relationship to Rembrandt. What transpired was a most lively give and take between two young artists intensely searching for new ways of artistic expression whose later development after their respective move from Leiden took very different paths. Consequently, the careful examination of Lievens’s early œuvre sheds new light on Rembrandt’s Leiden work.

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Jan Lievens, Bernhard Schnackenburg

Taal
Jaar van publicatie
2016
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(Hardcover)
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Titel
Jan Lievens
Ondertitel
Friend and Rival of the young Rembrandt
Taal
Engels
Uitgever
Imhof Verlag
Jaar van publicatie
2016
Formaat
Hardcover
Aantal pagina's
488
ISBN10
3731903334
ISBN13
9783731903338
Reeks
Aantekening
Jan Lievens (1607–1674), Rembrandt’s boyhood friend, who embarked on an artistic career even earlier than his companion, once again is as highly regarded as during his lifetime, thanks to numerous recent publications and several exhibitions. The present monograph and catalogue raisonné discuss and analyze for the first time the extensive output of his early Leiden years: his paintings, drawings, and etchings from 1623 to 1632. Besides the book’s comprehensiveness and consideration of the artist’s work in the context of his Netherlandish contemporaries from Haarlem, Utrecht, and Antwerp, special emphasis is placed on establishing the chronology of his œuvre. Only a solid foundation such as this would make it possible to determine more precisely than before Lievens’s much discussed relationship to Rembrandt. What transpired was a most lively give and take between two young artists intensely searching for new ways of artistic expression whose later development after their respective move from Leiden took very different paths. Consequently, the careful examination of Lievens’s early œuvre sheds new light on Rembrandt’s Leiden work.