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'A classic, but with contemporary urgency thumping through it.' Claire-Louise Bennett, author of Pond A woman invites a famed artist to the remote coastal landscape where she lives. Drawn to his paintings, she believes his vision may penetrate the mystery at the centre of her life. But as a long, dry summer sets in, his provocative presence soon twists the patterns of her secluded household. 'The most singular book . . . A psychodrama that is both timeless and up-to-the minute . . . Truly one of a kind.' Justine Jordan, Guardian 'A novel of deep insight and scarring honesty.' Martin Chilton, Independent 'Re-sets the dial yet again.' Claire Harman, Evening Standard 'Extraordinary . . . fearless.' Alex Clark, The Spectator 'Glittering brilliance.' Jon Day, Financial Times
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Second Place, Rachel Cusk
- Taal
- Jaar van publicatie
- 2022
- Bindwijze
- (Paperback)
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- Titel
- Second Place
- Taal
- Engels
- Auteurs
- Rachel Cusk
- Uitgever
- Faber & Faber, Limited
- Jaar van publicatie
- 2022
- Formaat
- Paperback
- ISBN10
- 0571366309
- ISBN13
- 9780571366309
- Reeks
- Tags
- Fictie, Liefde, Familie, Hedendaagse literatuur, Maatschappelijke romans, Bovennatuurlijke Wezens, Engeland, Verenigd Koninkrijk, Matrimonium, Demonen, Kunstenaars, Strijd om de macht
- Beoordeling
- 3,7 van 5
- Aantekening
- 'A classic, but with contemporary urgency thumping through it.' Claire-Louise Bennett, author of Pond A woman invites a famed artist to the remote coastal landscape where she lives. Drawn to his paintings, she believes his vision may penetrate the mystery at the centre of her life. But as a long, dry summer sets in, his provocative presence soon twists the patterns of her secluded household. 'The most singular book . . . A psychodrama that is both timeless and up-to-the minute . . . Truly one of a kind.' Justine Jordan, Guardian 'A novel of deep insight and scarring honesty.' Martin Chilton, Independent 'Re-sets the dial yet again.' Claire Harman, Evening Standard 'Extraordinary . . . fearless.' Alex Clark, The Spectator 'Glittering brilliance.' Jon Day, Financial Times